30/05/2025 - CANNES 2025: The films supported by the French fund for international co-productions won ten awards on the Croisette, including six in official competition

The 78th Cannes Film Festival has once again confirmed France’s role as engine and pillar in the co-production of the best international auteur cinema. Indeed, no fewer than 16 feature films that have gone through the selective filter of the Aide aux cinémas du monde fund (co-managed and co-financed by the CNC and the French Institute in order to encourage and support the international co-production of feature films between France and the rest of the world) were selected this year in the various categories of the Croisette–and nine of which won awards, including five in official competition.
The Aide aux cinémas du monde (ACM) was rewarded in the official competition by the Palme d’Or given to It Was Just an Accident [+see also:
film review
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film profile] by Iranian filmmaker Jafar Panahi, the Grand Prize given to Sentimental Value [+see also:
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interview: Joachim Trier
film profile] by Norwegian director Joachim Trier, the double Best Directing and Best Actor awards received by The Secret Agent [+see also:
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film profile] by Brazilian filmmaker Kleber Mendonça Filho, by the Jury Prize given to Sirât [+see also:
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interview: Óliver Laxe
film profile] by Spanish director Oliver Laxe and the Special Prize given to Resurrection [+see also:
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film profile] by Chinese filmmaker Bi Gan.

Three other films carrying the ACM label were in official competition: Two Prosecutors [+see also:
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interview: Sergei Loznitsa
film profile] by Ukrainian filmmaker Sergueï Loznitsa, Eagles of the Republic [+see also:
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interview: Tarik Saleh
film profile] by Swedish director Tarik Saleh, and Renoir [+see also:
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interview: Chie Hayakawa
film profile] by Japanese filmmaker Chie Hayakawa.

Films that benefited from the Aide aux cinémas du monde also shone bright in Un Certain Regard with the main award going to The Mysterious Gaze of the Flamingo [+see also:
film review
interview: Diego Céspedes
film profile] by Chilean filmmaker Diego Céspedes, the Best Directing award going to Palestinian filmmaker brothers Arab and Tarzan Nasser for Once Upon a Time in Gaza [+see also:
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interview: Tarzan Nasser
film profile] and the Best Actress award crowing Portuguese actress Cleo Diára for her turn in I Only Rest in the Storm [+see also:
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interview: Pedro Pinho
film profile] by fellow Portuguese artist Pedro Pinho. The other ACM titles in Un Certain Regard were Aïcha Can't Fly Away [+see also:
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interview: Morad Mostafa
film profile] by Egyptian director Morad Mostafa and Promised Sky [+see also:
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interview: Erige Sehiri
film profile] by Tunisian filmmaker Erige Sehiri. Another feature supported by the ACM also had its world premiere in Official selection, in the Cannes Première section: Magellan [+see also:
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film profile] by Filipino filmmaker Lav Diaz.

Finally, the Aide aux cinémas du monde rounded off its brilliant Cannes 2025 run in the parallel section, with the Critics’ Week Grand Prize going to A Useful Ghost [+see also:
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film profile] by Thai filmmaker Ratchapoom Boonbunchachoke. The ACM title Sleepless City [+see also:
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interview: Guillermo Galoe
film profile] by Spanish director Guillermo Galoe also took part in this competition.

Since its creation in 2012, the Aide aux cinémas du monde has supported 695 projects (590 fiction films, 92 documentaries, 11 animation titles and two hybrid films) of 113 different nationalities.

(Translated from French)