19/09/2025 - The 41st edition of the gathering will mark a new chapter, with an expanded programme that takes in eight venues in the Polish capital between 10 and 19 October

The Warsaw International Film Festival (WIFF) is returning in full force for its 41st edition, set to run from 10-19 October across eight venues in the Polish capital. With a refreshed visual identity, a new leadership team and a more ambitious programme, WIFF is positioning itself as one of Europe’s most dynamic film events.

The festival will showcase 112 features and 56 shorts, including over 80 world, international, European and regional premieres. Its core competitions remain intact. The International Competition boasts world premieres such as Jan Komasa’s highly anticipated US production Anniversary (the opening film), Maria Popistașu & Alexandru Baciu's Y [+see also:
film review
interview: Maria Popistașu, Alexandru …
film profile] (Romania/Greece), Maciej Sobieszczański's Brother (Poland/Czech Republic) and Wojciech Smarzowski's Home Sweet Home (Poland), alongside the international premieres of Mike van Diem’s Our Girls (Netherlands/Austria/Belgium), Jon Einarsson Gustafsson’s Anorgasmia [+see also:
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film profile] (Iceland/Canada/Czech Republic), Ivan Nikolaichuk's The Eternity Man (Ukraine/Finland/Canada) and Raúl Campos' Dear Sobriety: You're Killing Me (Mexico), and the European premiere of Kath Akuhata-Brown's Matriarch (New Zealand), as well as Pauline Loquès' Nino [+see also:
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interview: Pauline Loquès
film profile] (premiered in Cannes' Critics' Week), Tereza Nvotová's Father [+see also:
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interview: Tereza Nvotová
film profile] (premiered in Venice's Orizzonti), Joscha Bongard's Babystar [+see also:
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interview: Joscha Bongard
film profile] (premiered in Toronto's Discovery), Sergio Oksman's A Scary Movie [+see also:
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film profile] (premiered in San Sebastián's Zabaltegi-Tabakalera), Alex Burunova's Satisfaction [+see also:
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film profile] (premiered in SXSW) and Yoon Ga-eun's The World of Love (premiered in Toronto's Platform).

The 1-2 Competition, dedicated to debuts and sophomore films, includes the world premieres of Karolis Kaupinis' Hunger Strike Breakfast [+see also:
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film profile] (Lithuania/Czech Republic/Latvia) and M Siam's My Father’s Scent (Egypt/Norway/Sweden/Switzerland/France/Saudi Arabia/Qatar), alongside Sebastian Husak's Bubbles (Germany), Tatyana Pandurska's Wild Strawberries (Bulgaria), Alice Vial's You Found Me (France), Bartosz Paduch's Territory (Poland) and Shyman P Madiraju's 55 (India), as well as Ratchapoom Boonbunchachoke's A Useful Ghost [+see also:
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film profile] (the main winner in Cannes' Critics' Week), Zuzana Kirchnerová's Caravan [+see also:
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interview: Zuzana Kirchnerová
film profile] (premiered in Cannes' Un Certain Regard), Alexe Poukine's Kika [+see also:
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interview: Alexe Poukine
film profile] (premiered in Cannes' Critics' Week), Valéry Carnoy's Wild Foxes [+see also:
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interview: Valéry Carnoy
film profile] (premiered in Cannes' Directors' Fortnight), Or Sinai's Mama (premiered in a Cannes Special Screening), Janicke Askevold's Solomamma [+see also:
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interview: Janicke Askevold
film profile] (premiered in Locarno's competition), Ondřej Provazník's Broken Voices [+see also:
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interview: Ondřej Provazník
film profile] (premiered in Karlovy Vary's competition) and Cole Webley's Omaha (premiered in Sundance's US Dramatic competition).

Lastly, the Documentary Competition features no fewer than eight world premieres, and the Short Films Competition will once again act as an Oscar qualifier.

This year marks the return of the Encounters section, a showcase of standout films from Cannes, Venice, Locarno and Toronto, with audience voting determining the winner of the PLN 40,000 (€9,400) prize, awarded to the film’s Polish distributor. Among the contenders are Jafar Panahi’s Palme d’Or winner It Was Just an Accident [+see also:
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interview: Jafar Panahi
film profile], Benny Safdie’s The Smashing Machine (Silver Lion at Venice), Kleber Mendonça Filho’s The Secret Agent [+see also:
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film profile] and Paolo Strippoli’s The Holy Boy.

Out-of-competition highlights include Anders Thomas Jensen’s The Last Viking [+see also:
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interview: Anders Thomas Jensen
film profile] and Luca Guadagnino’s After the Hunt [+see also:
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film profile] (both shown as part of the new special screenings), as well as a refreshed Free Spirit section, showcasing independent and rebellious cinema. A brand-new initiative, Animus. Cinema of Values, will explore films that address social responsibility and moral courage.

Audiences can also look forward to unique experiences such as Cinema in the Clouds on the 46th floor of Varso Tower, the senior-friendly Boom Generation screenings, the Family Film Weekend, and a special film-music concert dedicated to Polish composer Michał Lorenc, performed by ensemble DesOrient. The closing film will be Kaouther Ben Hania’s Venice Grand Jury Prize winner The Voice of Hind Rajab [+see also:
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interview: Kaouther Ben Hania
film profile].

For industry professionals, WIFF will introduce the Warsaw Industry Days (13-18 October – see the news), designed to foster connections between Central and Eastern European creators and the international film industry. The programme will include co-production forums, workshops and networking events aimed at building regional collaboration and co-production opportunities.