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THESSALONIKI 2025 Agora

Thessaloniki’s Agora Works in Progress showcases eight promising titles

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- This year’s line-up spotlights emerging voices and daring cinematic forms, featuring politically engaged narratives, realist dramas and absurd satires

Thessaloniki’s Agora Works in Progress showcases eight promising titles
Director Sherif Francis, who is taking part with Last Call (© Algorhythm gr)

The Agora Works in Progress section of the 66th Thessaloniki International Film Festival (30 October-9 November) has revealed its eight selected projects, once again spotlighting emerging voices and daring cinematic forms from across Europe, the Mediterranean and beyond.

This year’s line-up reflects the diversity and creative ambition that define the Agora’s industry activities, featuring politically engaged narratives, realist dramas, absurd satires and genre-bending explorations of various topics. Together, they embody a strong commitment to independent storytelling and distinctive visual identities, offering a preview of bold films soon to make their way to the international circuit.

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Agora Works in Progress thus continues to serve as a vital platform for filmmakers in the final stages of production, connecting them with sales agents, festival programmers and potential co-producers from around the world.

Below is the full list of selected projects for Agora Works in Progress 2025:

Last CallSherif Francis (Greece)
Production: Dionyssis Samiotis (Tanweer Productions)
Co-production: Kostas Lambropoulos

Black Money for White NightsKristina Grozeva, Petar Valchanov (Bulgaria/Greece)
Production: Kristina Grozeva, Petar Valchanov (Abraxas Film)
Co-production: Irini Vougioukalou, Konstantina Stavrianou (Graal Films)

Ways to Get Rid of Some FreedomChrisanthos Margonis (Greece/Cyprus)
Production: Eleni Kossyfidou (Blackbird Productions)
Co-production: Marinos Charalambous (Boycott Films)

Promised Spaces Ivan Marković (France/Germany/Serbia/Cambodia)
Production: Jasmina Sijercić (Bocalupo Films)
Co-production: Zsofi Lili Kovacs (Fiskultura Films), Jelena Radenković (Big Time Production), Daniel Mattes (Anti-Archive)

The Lion at My BackTonia Mishiali (Cyprus/Luxembourg/Greece)
Production: Tonia Mishiali (Bark Like a Cat Films)
Co-production: Katarzyna Ozga, Nicolas Steil (Iris Productions), Marinos Charalambous, Vladimiros Subotić (Avaton Films)

The Boy with the Light-blue EyesThanasis Neofotistos (Greece/Cyprus/North Macedonia/Croatia/Serbia/Romania/USA)
Production: Ioanna Bolomyti (Argonauts Productions SA)
Co-production: Atalante Productions SA, YE Films Ltd, Sektor Film, Studio Corvus, Sense Production, Luna Film, Willa, Astrakan Films, Cold Iron Pictures

Tonight Is ForeverFernando Souza (France/Japan/Spain)
Production: Quentin Laurent (Les Films de l’Oeil Sauvage)
Co-production: Lucas Senecaut (L’Oeil Vif Films), Mina Moteki (Kowatanda Films), Fernando Souza (Dichosos los Ojos)

Trip to JerusalemMichel Zarazir, Gaby Zarazir (Lebanon)
Production: Gaby Zarazir, Michel Zarazir (madame le tapis)

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