Daniel Sánchez Arévalo switches gears in his new film
- Laia Costa, Karra Elejalde, Luis Zahera, Tamar Novas, Álvaro Cervantes and Lluís Homar will topline the as-yet-untitled Netflix thriller about shifting identities

The new feature directed by Daniel Sánchez Arévalo is well into the shooting phase on location around Madrid; the filmmaker is responsible for dramedies such as Dark Blue Almost Black [+see also:
film review
trailer
film profile] (for which he won the Goya Award for Best New Director in 2007, after presenting it in Venice's Giornate degli Autori and taking home the Grand Prix from the Tallinn Black Nights Film Festival), Fat People [+see also:
film review
trailer
interview: Daniel Sánchez Arévalo
Interview with Daniel Sánchez-Arévalo,…
film profile], Cousinhood [+see also:
trailer
film profile], Family United [+see also:
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making of
film profile], Seventeen [+see also:
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interview: Daniel Sánchez Arévalo
film profile] and his latest, Rondallas, which premiered in the Velodrome of the San Sebastián International Film Festival and will land in Spanish cinemas on 1 January.
This new work by the Cantabrian filmmaker marks a shift in his career, as this time it is not another comedy, but a thriller (which is as yet untitled) in which nobody is exactly who they appear to be. The cast is led by Laia Costa (a Goya winner for Lullaby [+see also:
film review
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interview: Alauda Ruiz de Azúa
film profile], nominated for a European Film Award for Victoria [+see also:
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interview: Sebastian Schipper
film profile] and most recently seen in Un amor [+see also:
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interview: Isabel Coixet
film profile] — for which she also scored a Goya nomination — and The Teacher Who Promised the Sea), Karra Elejalde (a Goya winner for Even the Rain [+see also:
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interview: Icíar Bollaín
film profile] and Spanish Affair [+see also:
trailer
film profile], whose most recent release was Barren Land), Luis Zahera (a Goya winner for The Realm [+see also:
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interview: Rodrigo Sorogoyen
interview: Rodrigo Sorogoyen, Isabel P…
film profile] and The Beasts [+see also:
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interview: Rodrigo Sorogoyen and Isabe…
film profile], and currently in the spotlight thanks to the success of the Netflix series Animal), Tamar Novas (a Goya winner for The Sea Inside [+see also:
trailer
film profile], seen this year in 8 [+see also:
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film profile] and Rondallas), Álvaro Cervantes (rewarded at the latest Málaga Film Festival for his performance in Deaf [+see also:
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interview: Eva Libertad
film profile], also seen this year in Join Me for Breakfast [+see also:
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interview: Iván Morales
film profile]) and Lluís Homar (a Goya winner for Eva [+see also:
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trailer
film profile], seen this year in Forastera [+see also:
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film profile]).
The film is being produced for Netflix by Bambú Producciones (the company behind series such as Cocaine Coast and The Asunta Case [+see also:
trailer
series profile], and already behind Rondallas), with Ramón Campos serving as executive producer and co-writer alongside Sánchez Arévalo himself. Set in the midst of the economic crisis, the story follows a group of thieves who burst into a Madrid bank, unleashing a series of unforeseeable events. What at first seems like just another heist turns into a game of deceit, fear and survival, where every decision counts and every gesture seems to conceal something.
“Fancy switching genre?” Ramón asked me. “I didn’t hesitate for a second before replying with a resounding 'yes',” confesses Sánchez Arévalo, “because I was eager to step out of my world and to explore other stories that hadn’t sprung from my own mind. When Ramón told me the premise, I felt it wasn’t just the perfect vehicle; it was the perfect rollercoaster to take the audience on and try to offer them an experience full of action, suspense, intrigue, bewilderment, twists and pure fun. And I’m especially happy with the cast we’ve assembled: Laia, Karra, Luis, Tamar, Álvaro and Lluís. It's a genuine dream team.”
(Translated from Spanish)
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