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BERLINALE 2026 EFM

Totem Films to brandish three aces in Berlin

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- The French sales agent will be pinning its hopes on Anna Roller’s Allegro Pastell and Mahnaz Mohammadi’s Roya in the Panorama section, and on Kosara Mitic’s 17 in the Perspectives line-up

Totem Films to brandish three aces in Berlin
Allegro Pastell by Anna Roller

Returning to a major festival where they’ve often met with success in the past (in 2024, for example, thanks to My Favourite Cake [+see also:
film review
trailer
film profile
]
and Crossing [+see also:
film review
trailer
interview: Levan Akin
film profile
]
), French international sales agent Totem Films will be approaching the European Film Market (running 12 – 18 February) - unspooling within the 76th Berlinale - with bags of optimism. Their line-up includes no fewer than three titles selected in various showcases across the festival: Allegro Pastell [+see also:
film review
interview: Anna Roller
film profile
]
by Germany’s Anna Roller and Roya [+see also:
film review
interview: Mahnaz Mohammadi
film profile
]
by Iran’s Mahnaz Mohammadi are set to world premiere in the Panorama line-up, while 17 [+see also:
film review
interview: Kosara Mitić
film profile
]
by North Macedonian director Kosara Mitic will be battling it out in the Perspectives section.

(The article continues below - Commercial information)

Anna Roller’s second feature film after Dead Girls Dancing [+see also:
film review
trailer
interview: Katarina Stark
film profile
]
(in competition in Tribeca in 2003), Allegro Pastell is toplined by Sylvaine Faligant (in her first big screen appearance) and Jannis Niewöhner (a European Film Promotion Shooting Star of 2015 and notably acclaimed in Je suis Karl [+see also:
film review
trailer
interview: Christian Schwochow
film profile
]
). Penned by Leif Randt, the story revolves around novelist Tanja and web designer Jérôme, both in their thirties, who have found the perfect balance of intimacy and separation in their long-distance relationship. When Tanja catches a glimpse of their settled future together, she wonders whether it’s really what she wants… Production was steered by Munich-based firm Walker + Worm Film.

Totem Films’ second asset in the Panorama line-up is Roya by Iranian filmmaker Mahnaz Mohammadi (who’s been imprisoned a number of times in her homeland since 2007 and whose back-catalogue notably includes Son-Mother [+see also:
trailer
film profile
]
). The cast stars Turkey’s Melisa Sözen (Winter Sleep [+see also:
film review
trailer
interview: Nuri Bilge Ceylan
film profile
]
),
Iran’s Maryam Palizban and Hamidreza Djavdan. Written by the director herself, the story revolves around Roya, an Iranian teacher who’s been imprisoned for her political convictions and who’s faced with a choice: to make a forced confession or remain trapped in her 3-metre-square cell… Production was steered by Germany’s PakFilm and Czech outfit Europe Media Nest in co-production with Amour Fou Luxembourg and Filminiran.

No stranger to unearthing new talent, Totem Films is also in on the action in the Perspectives competition thanks to 17, the debut feature film by North Macedonia’s Kosara Mitic who wrote the screenplay with Ognjen Svilicic. The story follows 17-year-old Sara who’s hiding a secret on a school trip. When things degenerate and Sara witnesses a sexual assault on a classmate, she and this young woman forge a bond which will last forever… Eva Kostić and Martina Danilovska steal focus in the cast. Production was entrusted to Black Cat Production (Macedonia) in co-production with Art & Popcorn (Serbia) and December (Slovenia).

Last but not least, the Totem team led by Bérénice Vincent will be pre-selling Emma Doucet by Élise Girard (Sidonie in Japan [+see also:
film review
trailer
interview: Élise Girard
film profile
]
), on which filming is due to kick off in April, starring Luxembourg star Vicky Krieps and French actor Alex Lutz in lead roles. Penned by the director, the story centres on Emma Doucet, a forty-something single mother who divides her time between work, volunteering as a public writer, her lover and her son. When she meets the French Prime Minister Michel Villaverde, it’s love at first sight. It’s an impossible romance but Emma and Michel struggle to resist the attraction they feel towards one another and embark upon a correspondence-based affair. Little by little, Emma begins to question her certainties in life and her teenage son’s existential crisis feels strangely similar to what she’s going through… Production was steered by French firm 10:15 Productions in co-production with Arte France Cinéma and Germany’s Lupa Film.

(The article continues below - Commercial information)

(Translated from French)

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