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VENICE 2005 Competition

Three French in the hunt for the Lion

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Since Louis Malle won in 1987 with Au revoir les enfants, no French filmmaker has triumphed at Venice, even if French production won the Golden Lion in 1993 with Bleu from the Pole Krzystof Kieslowski. Years of draught which they will attempt to end on the Lido at 62nd Mostra with three French films in official competition . Made by a trio of filmmakers composed of Patrice Chéreau, Laurent Cantet and Philippe Garrel, these features have ambitions to renew the French tradition of Golden Lions and to join the long line begun by Julien Duvivier in 1937 followed by Jean Renoir (1946), Henry-Georges Clouzot (1949), René Clément (1952), André Cayatte (double winner in 1950 and 1960), Alain Resnais (1961 - L’année dernière à Marienbad), Jean–Luc Godard (1983 - Prénom Carmen), Agnès Varda (1985 - Sans toit ni loi) and Eric Rohmer (1987 - Le Rayon vert).

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Jury prize-winner at Cannes in 1994 (La Reine Margot) and honoured twice at Berlin (Golden Bear in 2001 for Intimité and Silver in 2003 for Son Frère), Patrice Chéreau appears in official competition in Venice for the first time. In competition with Gabrielle [+see also:
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, his 9th feature, his trump card is surely Isabelle Huppert who has already won at the Mostra two Volpi Cups for Best actress (1995 - La Cérémonie and 1988 - Une Affaire de Femmes). Adapted from a Joseph Conrad short story and co-produced by France and Italy (Azor Films (90%) and Albachiara) sold by StudioCanal, the film is betting on the director’s favourite actor: Pascal Greggory.

For his part, Laurent Cantet appears to be the strong outsider with his third feature, Vers le Sud [+see also:
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interview: Robin Campillo
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with a cast of Charlotte Rampling, Karen Young and Louise Portal. Awarded European Discovery of the year at the European Film Awards and best New Director at the San Sebastian festival with Ressources humaines in 1999, the filmmaker confirmed his original talent with L’Emploi du temps (Venice Don Quixote Award in 2001). His new film, produced by Haut et Court with Canadian aid, is sold internationally by Celluloïd Dreams.

As for Philippe Garrel, he is back on familiar territory with Les Amants réguliers [+see also:
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at the Mostra, which always acknowledged him more than his compatriots. Selected three times in official competition at Venice, the filmmaker won the Silver Lion in 1991 with J'entends plus la guitare and the Fipresci prize in 2001 with Sauvage innocence, had to settle for a participation without distinction in 1999 with Le Vent de la nuit. Produced by Maïa Films, co-produced with Arte and sold internationally by Films Distribution, Les Amants réguliers is a black and white film which strongly impressed the Venice selector Marco Muller. A sort of follow-up to Dreamers [+see also:
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by Bernardo Bertolucci, the film has Louis Garrel (son of the director) at the head of the cast and he will appear on the Lido as a symbol of a kind of intransigence of the French cinéma d’auteur which Patrice Chéreau and Laurent Cantet, for their part, refuse.

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(Translated from French)

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