CANNES 2006 Out of competition / PL
The Boy on a Galloping Horse
After Retrieval [+see also:
film review
trailer
interview: Denis Dercourt
interview: Michel Saint-Jean
film profile] , presented in Un Certain Regard, The Boy on a Galloping Horse (The Boy on a Galloping Horse ) by Adam Guzinski is the second Polish film at Cannes this year. Screened out of competition and competing for the Caméra d'Or, the film marks the debut feature a young graduate of the National Film, Television & Theatre School of Lodz who has already directed a number of highly acclaimed shorts, including Jakub, winner of the Cinéfondation award at Cannes in 1998.
The Boy is a communicative drama, magnificently photographed in very beautiful black and white lighting by DoP Jolanta Dylewska. The film’s three characters – a writer with writer’s block, his wife and their son – live in the country. The couple no longer talks to each other – until the day that their seven year-old son has to undergo a serious operation, which forced them talk to one another and redefine what unites them.
Filled with silence, lengthy still shots and close-ups, dreamlike sequences and dialogue that frames two characters at a time, The Boy is a film deeply inspired by the cinema of Ingmar Bergman. However, while the style of the Swedish master is a little heavy to imitate, Guzinski succeeds in creating a world of his own, displaying his undeniable talent.
The 75-minute The Boy on a Galloping Horse was co-produced by Opus Film in co-production with Telewizja Polska S.A, who also holds the rights to the film.
(Translated from French)
Did you enjoy reading this article? Please subscribe to our newsletter to receive more stories like this directly in your inbox.