Arras 2020 14 articles available in total starting from 19/08/2019. Last article published on 16/11/2020. page: [1] 2 next Stephan Komandarev’s Blaga's Lessons triumphs at Arras DaysRounding off his trilogy, the Bulgarian director’s project walks away with the film development grant, while Lina Lužyte’s I Had Nowhere To Go bags a Special Mention 16/11/2020 | Arras 2020 | Arras DaysQuo Vadis, Aida? is crowned the winner by the Arras Film Festival juryJasmila Zbanic’s work is awarded the Golden Atlas, while Piotr Domalewski bags the Silver Atlas for I Never Cry, and a Special Mention is won by Stephan Komandarev courtesy of Rounds 16/11/2020 | Arras 2020 | AwardsReview: SpiralCecilia Felmeri signs a very promising first feature by immersing herself in nature, in a disquieting realism for a metaphor of couplehood and the life cycle 09/11/2020 | Thessaloniki 2020The Arras Film Festival reinvents itselfWith its usual format cancelled, the 21st edition of the event will now unfold from 7 to 15 December in Paris and in the cinemas of the Hauts-de-France region 07/11/2020 | Arras 2020Review: The CampaignIn his Moscow-screened film, Marian Crişan shows how corruption can taint even those pure of heart 13/10/2020 | RomaniaInterview: Marian Crişan • Director of The Campaign“I like writing characters inspired by the people I am closest to”We spoke to Marian Crişan, the Romanian director whose fourth feature, The Campaign, has just world-premiered at the Moscow International Film Festival 12/10/2020 | /RomaniaReview: Shadow CountryA small Czech village examines its soul before and after World War II in Bohdan Sláma’s powerful black-and-white drama 09/10/2020 | London 2020Interview: Piotr Domalewski • Director of I Never Cry“I don’t really pick a subject or a story; I focus on a theme”Cineuropa talked to Piotr Domalewski, whose sophomore film, I Never Cry, was presented in San Sebastián’s New Directors section and was released in his native Poland in late September 06/10/2020 | San Sebastián 2020 | New DirectorsReview: I Never CryPiotr Domalewski’s second film investigates an experience common to thousands, if not millions, of Poles in a manner that would make Ken Loach proud 28/09/2020 | San Sebastián 2020 | New DirectorsReview: Quo Vadis, Aida?VENICE 2020: There is no time to catch one’s breath in Jasmila Žbanić’s powerful film, closing in on a teacher-turned-translator for the UN in Srebrenica trying to find her way 03/09/2020 | Venice 2020 | Competition page: [1] 2 next