email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Belgium

(The article continues below - Commercial information)
focusfeatures_conclave_Internal_Cathy

3097 articles available in total starting from 10/06/2002. Last article published on 13/02/2025.

Vasilis Kekatos • Director of Our Wildest Days

Interview: Vasilis Kekatos • Director of Our Wildest Days

“It’s a sad world, but that doesn’t mean it can’t be beautiful”

BERLINALE 2025: The Greek director breaks down his film, which he describes as both happy and sad, and which says a lot about his devasted home country  

13/02 | Berlinale 2025 | Generation

Best Friend Forever sets course for Berlin

Best Friend Forever sets course for Berlin

The Brussels-based sales agent will be singing the praises of Ukrainian documentary Timestamp, screening in competition, and Hong Kong movie Queerpanorama, selected in the Panorama section  

12/02 | Berlinale 2025 | EFM

Mareike Engelhardt • Director of Rabia

Interview: Mareike Engelhardt • Director of Rabia

“I took inspiration from several totalitarian systems to talk about our ability to turn into monsters”

Cineuropa met with the filmmaker to talk about her debut feature, a nerve racking thriller about the indoctrination of a young girl by the Islamic State  

12/02 | /France/Germany/Belgium

Skunk, Julie Keeps Quiet and Holy Rosita win at Belgium's Ensor awards

Skunk, Julie Keeps Quiet and Holy Rosita win at Belgium's Ensor awards

The 15th edition of the Flemish film and television awards crowned Koen Mortier’s film and also recognised Leonardo van Dijl and Wannes Destoop’s works  

10/02 | Festivals | Awards | Belgium

Miwako Van Weyenberg • Director of Soft Leaves

Interview: Miwako Van Weyenberg • Director of Soft Leaves

"You can almost smell nostalgia, but you cannot smell film — that's why the nature elements are the closest to how you experience nostalgia in real life"

The filmmaker talked to us about her personal relationship to her script, casting decisions, and how she chose to portray nostalgia in her debut feature  

07/02 | IFFR 2025 | Big Screen Competition

The BIF Market opens call for genre cinema projects

The BIF Market opens call for genre cinema projects

The deadline for project submission to the Brussels International Fantastic Film Festival is 28 February  

07/02 | BIFFF 2025

Review: The Tree of Authenticity

Review: The Tree of Authenticity

Photographer and visual artist Sammy Baloji crafts a film essay that delves into the Democratic Republic of Congo’s colonial past and its ecological significance  

07/02 | IFFR 2025 | Tiger Competition

Eye Haïdara and Mélanie Laurent topline spy-thriller Mata

Eye Haïdara and Mélanie Laurent topline spy-thriller Mata

A wounded agent's quest for the truth and redemption takes centre stage in Rachel Lang’s movie, which unfolds in the deserts of Niger as well as in the snowy Alps  

07/02 | Production | Funding | France/Belgium

Noëlle Bastin, Baptiste Bogaert • Directors of Vitrival – The Most Beautiful Village in the World

Interview: Noëlle Bastin, Baptiste Bogaert • Directors of Vitrival – The Most Beautiful Village in the World

"It was important for us to interfere as little as possible with our fiction in the way people really live"

We talked to the filmmaking duo about their new film, its anchor in reality and their work with non-professional actors  

06/02 | IFFR 2025 | Tiger Competition

Review: White Roses, Fall!

Review: White Roses, Fall!

Albertina Carri’s film about a lesbian porn director who sets off on a road trip with her actors possesses plenty of spirit, but its aimlessness and odd pacing choices drag it down  

06/02 | IFFR 2025 | Big Screen Competition

Privacy Policy