Cannes 2022 (The article continues below - Commercial information) 108 articles available in total starting from 15/06/2021. Last article published on 20/05/2022. page: [1] 2 3 4 5 6 7 8 9 10 11 next Review: The Night of the 12thCANNES 2022: Dominik Moll crafts a French-style Zodiac: an ensemble police investigation both highly effective and brilliantly acted, where reveal a frayed society 20/05 | Cannes 2022 | Cannes PremièreReview: One Fine MorningCANNES 2022: An expert in observing and distilling the micro-emotions which form the fabric of our lives, Mia Hansen-Løve paints a wonderful portrait of a woman facing a crossroads in her life 20/05 | Cannes 2022 | Directors’ FortnightReview: Enys MenCANNES 2022: Following his acclaimed breakthrough feature, Bait, Cornish filmmaker Mark Jenkin makes a natural step into eerie folk horror 20/05 | Cannes 2022 | Directors’ FortnightReview: Plan 75CANNES 2022: Produced by Japan, France and the Philippines, Chie Hayakawa's first feature film deals with the delicate subject of euthanasia in a subtle and slightly futuristic way 20/05 | Cannes 2022 | Un Certain RegardAt Cannes, experts assess the potential of Europe as a global leader in virtual productionCANNES 2022: The benefits of virtual production and other new, state-of-the art tech will make filmmakers’ lives easier, but they are also set to change a significant part of the production workflow 20/05 | Cannes 2022 | Marché du FilmReview: Sons of RamsesCANNES 2022: Karim Leklou shines as a real-false psychic caught in a downward spiral in an excellent social, nocturnal and urban thriller, brilliantly directed by Clément Cogitore 20/05 | Cannes 2022 | Critics’ WeekRAI Cinema reveals Pietro Marcello’s upcoming project L’ultimo fronteThe next documentary by the Italian director will reconstruct the Battle of Stalingrad based on soldiers’ letters 20/05 | Production | Funding | ItalyReview: Alma VivaCANNES 2022: Debuting Portuguese filmmaker Cristèle Alves Meira finds magical realism in a Portuguese mountain village 20/05 | Cannes 2022 | Critics’ WeekReview: El aguaCANNES 2022: Elena López Riera makes her feature directorial debut with a fluid film, that organically flows between non-fiction as well as legend, mystery and doom 20/05 | Cannes 2022 | Directors' FortnightReview: Love According to DalvaCANNES 2022: In her sober and moving first feature film, Emmanuelle Nicot paints the portrait of a child survivor who grew up dramatically too quickly 20/05 | Cannes 2022 | Critics’ Week page: [1] 2 3 4 5 6 7 8 9 10 11 next (The article continues below - Commercial information)