Cannes 2022 / Directors’ Fortnight (The article continues below - Commercial information) 41 articles available in total starting from 09/02/2022. Last article published on 27/06/2022. page: [1] 2 3 4 5 next Julien Rejl, new general delegate of the Directors’ FortnightThe Frenchman succeeds Paolo Moretti at the head of the parallel section of the Cannes Film Festival, which is changing its official name to the “Quinzaine des cinéastes” 27/06/2022 | Cannes 2022 | Directors’ FortnightInterview: Ali Cherri • Director of The Dam"The first thing that every system does is to occupy our imaginary"CANNES 2022: The Lebanese-born, Paris-based filmmaker and artist discusses his film, which depicts how man's action and opression causes nature to respond 03/06/2022 | Cannes 2022 | Directors' FortnightReview: MenCANNES 2022: Alex Garland has seen hell in his latest work, and it turns out to be a quaint English village where every man is Rory Kinnear 02/06/2022 | Cannes 2022 | Directors’ FortnightReview: AshkalCANNES 2022: In Youssef Chebbi’s pensive thriller, mysterious self-immolations abound at a Tunisian housing development associated with the pre-revolutionary regime 01/06/2022 | Cannes 2022 | Directors’ FortnightInterview: Véréna Paravel, Lucien Castaing-Taylor • Directors of De Humani Corporis Fabrica"We were mainly interested in the perversity of our relationship with our bodies"CANNES 2022: The new documentary by French-British directors and anthropologists opens the human body to the cinema 01/06/2022 | Cannes 2022 | Directors' FortnightReview: Will-o’-the-WispCANNES 2022: Portuguese filmmaker Joāo Pedro Rodrigues’ latest effort is a queer musical-fantasy about a dying king, set suggestively in the year 2069 31/05/2022 | Cannes 2022 | Directors’ FortnightInterview: Erige Sehiri • Director of Under the Fig Trees“There is no sign of modernity in nature; it’s in these women, and especially the young girls”CANNES 2022: The French-Tunisian director and producer breaks down several aspects of her beautiful and timeless narrative feature debut 31/05/2022 | Cannes 2022 | Directors’ FortnightInterview: Thomas Salvador • Director of The Mountain"My main character leaves a lot behind him in order to find something deep inside of himself, in order to be reborn"CANNES 2022: The French filmmaker discusses the making of his latest film, which unfolds almost entirely in the high mountains and boasts a sci-fi dimension 30/05/2022 | Cannes 2022 | Directors’ FortnightFestival Scope presents the 2022 Directors' Fortnight short films onlineSix short films selected for this year's edition are accessible online for free, from today until 5 June, on the platform 30/05/2022 | Cannes 2022 | Directors' FortnightReview: De humani corporis fabricaCANNES 2022: Gut-wrenching but never grotesque, Lucien Castaing-Taylor and Véréna Paravel’s new documentary is an opera of the operating table 30/05/2022 | Cannes 2022 | Directors’ Fortnight page: [1] 2 3 4 5 next (The article continues below - Commercial information)