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Cannes 2023 / Critics’ Week

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25 articles available in total starting from 05/12/2022. Last article published on 26/05/2023.

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Erwan Le Duc • Director of No Love Lost

Interview: Erwan Le Duc • Director of No Love Lost

"Navigating between emotion and humour is to allow yourself to be enveloped, it’s something akin to enchantment"

CANNES 2023: The filmmaker spoke about his second film, which tackles "serious" and "grave" subjects by totally dedramatizing them  

26/05/2023 | Cannes 2023 | Critics’ Week

Vladimir Perišić • Director of Lost Country

Interview: Vladimir Perišić • Director of Lost Country

“I am trying to dissect and diagnose the violence in Serbian society”

CANNES 2023: The Serbian director returns to the Croisette with a film that has a strong personal dimension for him and an uncanny echo in the present reality of his home country  

26/05/2023 | Cannes 2023 | Critics’ Week

Lillah Halla • Director of Power Alley

Interview: Lillah Halla • Director of Power Alley

"This film is not only a portrait of intolerance"

CANNES 2023: The Brazilian filmmaker discusses her first feature, centred on a promising volleyball player who is faced with an unwanted pregnancy  

25/05/2023 | Cannes 2023 | Critics' Week

Review: No Love Lost

Review: No Love Lost

CANNES 2023: Erwan Le Duc delivers an inventive and highly rhythmic film, verging on slapstick, depicting a social and sentimental drama with poetic levity  

24/05/2023 | Cannes 2023 | Critics’ Week

Tiger Stripes comes out on top in the Cannes Critics’ Week

Tiger Stripes comes out on top in the Cannes Critics’ Week

CANNES 2023: The feature debut by Malaysia’s Amanda Nell Eu has won the Grand Prize, while the French Touch Prize went to Paloma Sermon-Daï’s It’s Raining in the House  

24/05/2023 | Cannes 2023 | Critics’ Week/Awards

Review: Power Alley

Review: Power Alley

CANNES 2023: The first feature by Brazilian director Lillah Halla is a vibrant, sweaty mashup of underdog sports flick and arthouse abortion drama  

24/05/2023 | Cannes 2023 | Critics’ Week

Review: Lost Country

Review: Lost Country

CANNES 2023: Vladimir Perišić returns with his first film in thirteen years, set during the 1996 elections in Belgrade in what was then Yugoslavia  

23/05/2023 | Cannes 2023 | Critics’ Week

Ann Sirot & Raphael Balboni • Directors of The (Ex)perience of Love

Interview: Ann Sirot & Raphael Balboni • Directors of The (Ex)perience of Love

"If we were told that we’d have zero constraints for our next film... We'd go for it!"

CANNES 2023: With this new film, the whimsical Brussels filmmaking duo confirms the hopes placed in their first feature, Madly in Life  

22/05/2023 | Cannes 2023 | Critics’ Week

Iris Kaltenbäck • Director of The Rapture

Interview: Iris Kaltenbäck • Director of The Rapture

"I read a headline in the newspaper about this woman and made the film to understand her, without having answers"

CANNES 2023: The French filmmaker discusses the topics, the making and the cast of her first feature, which follows a young midwife who embarks on a deceitful journey that may cost her everything  

22/05/2023 | Cannes 2023 | Critics' Week

Review: The (Ex)perience of Love

Review: The (Ex)perience of Love

CANNES 2023: Ann Sirot and Raphaël Balboni jubilantly try their hand at romantic comedy, gleefully transgressing the codes, once again staging their taste for constraint  

20/05/2023 | Cannes 2023 | Critics’ Week

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