email print share on Facebook share on Twitter share on reddit pin on Pinterest

Cannes 2019 / Critics’ Week

page:   [1]  2 
Review: You Deserve a Lover

Review: You Deserve a Lover

CANNES 2019: Hafsia Herzi proves to be just as good at directing as she is at acting with her sexy debut feature  

19/05 | Cannes 2019 | Critics’ Week

Review: Land of Ashes

Review: Land of Ashes

CANNES 2019: The feature debut from Sofía Quirós Ubeda is a coming of age tale about a young Costa Rican woman who goes deep into the world of magic to overcome her grief  

19/05 | Cannes 2019 | Critics’ Week

Review: Vivarium

Review: Vivarium

CANNES 2019: Lorcan Finnegan’s new outing is a slice of involuntary suburban family life, chillingly well executed  

19/05 | Cannes 2019 | Critics’ Week

Hlynur Pálmason  • Director of A White, White Day

Interview: Hlynur Pálmason • Director of A White, White Day

"I wanted to explore how it is to love and hate someone at the same time"

CANNES 2019: Icelandic director Hlynur Pálmason visits Cannes with his second feature A White, White Day, selected in the Critics' Week  

19/05 | Cannes 2019 | Critics' Week

Aude Léa Rapin • Director of Heroes Don’t Die

Interview: Aude Léa Rapin • Director of Heroes Don’t Die

“Everything happened quickly, which allowed us to remain in a process of adventure”

CANNES 2019: French filmmaker Aude Léa Rapin tells us about her surprising feature debut, Heroes Don’t Die, discovered in Critics’ Week in Cannes  

17/05 | Cannes 2019 | Critics’ Week

Review: I Lost My Body

Review: I Lost My Body

CANNES 2019: Animation sends sparks flying on the Croisette with the feature debut from French director Jérémy Clapin, a moving, inventive, and prodigious gem of storytelling  

17/05 | Cannes 2019 | Critics’ Week

Review: Heroes Don’t Die

Review: Heroes Don’t Die

CANNES 2019: Aude Léa Rapin shows great audacity in a feature debut focused on a film crew investigating a possible case of reincarnation in Bosnia  

17/05 | Cannes 2019 | Critics’ Week

Review: A White, White Day

Review: A White, White Day

CANNES 2019: In Hlynur Pálmason’s second feature, death conquers love – or perhaps love conquers death  

16/05 | Cannes 2019 | Critics’ Week

EXCLUSIVE: Clip for Hlynur Pálmason's A White, White Day

EXCLUSIVE: Clip for Hlynur Pálmason's A White, White Day

The second feature film by the Icelandic filmmaker is set to world-premiere in the Critics' Week at Cannes  

16/05 | Cannes 2019 | Critics' Week

Review: Litigante

Review: Litigante

CANNES 2019: Franco Lolli’s Critics’ Week opener is a sensitive work which follows in the footsteps of a female character who must contend with an accumulation of gruelling circumstances  

16/05 | Cannes 2019 | Critics’ Week

page:   [1]  2