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Cannes 2024 / ACID

12 articles available in total starting from 16/04/2024. Last article published on 24/09/2024.

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Review: Most People Die on Sundays

Review: Most People Die on Sundays

The film by Argentina's Iair Said is a tragicomedy as minimal as it is everyday. Starring the director himself, with subtle humour it tackles heavy issues such as euthanasia, ageing and loneliness  

24/09/2024 | San Sebastian 2024 | Horizontes Latinos

Review: A Fireland

Review: A Fireland

CANNES 2024: It’s a pyrotechnics paradise in Mona Convert’s experimental feature debut, set amidst the Landes forest in Nouvelle-Aquitaine  

25/05/2024 | Cannes 2024 | ACID

Review: Fotogenico

Review: Fotogenico

CANNES 2024: Marcia Romano and Benoît Sabatier write and direct an eccentric comedy following a father retracing his late daughter’s life, only to discover it was all a lie  

24/05/2024 | Cannes 2024 | ACID

Maisam Ali • Director of In Retreat

Interview: Maisam Ali • Director of In Retreat

“I was trying to do something like a painting or a haiku"

CANNES 2024: The Indian filmmaker talks about the multifaceted meanings of home, belonging and portraying the region of Ladakh in his debut film  

23/05/2024 | Cannes 2024 | ACID

Review: In Retreat

Review: In Retreat

CANNES 2024: Maisam Ali’s debut feature of a traveller's journey back to his hometown in North India meditates on belonging in an age of fast-paced (dis)connection  

21/05/2024 | Cannes 2024 | ACID

Review: Ce n'est qu'un au revoir

Review: Ce n'est qu'un au revoir

CANNES 2024: In this charming documentary, Guillaume Brac captures a snapshot of today's youth by filming the last days of high school for a group of boarding school kids  

21/05/2024 | Cannes 2024 | ACID

Kostis Charamountanis • Director of Kyuka - Before Summer's End

Interview: Kostis Charamountanis • Director of Kyuka - Before Summer's End

"It is very healthy for filmmakers to experiment and find new ways to express a story"

CANNES 2024: The Greek director talks about his first feature, which follows a family sailing to a Greek island for their summer holidays and unexpectedly uncovering their own secrets  

19/05/2024 | Cannes 2024 | ACID

Review: Mi bestia

Review: Mi bestia

CANNES 2024: The devil is in the details in Camila Beltrán’s debut feature, following a teenage girl’s transformation in 1990s Bogotá, as the city readies itself for the arrival of Satan  

18/05/2024 | Cannes 2024 | ACID

Review: It Doesn’t Matter

Review: It Doesn’t Matter

CANNES 2024: US indie maverick Josh Mond’s second feature sees a filmmaker arranging his troubled friend’s video diaries into a documentary  

17/05/2024 | Cannes 2024 | ACID

Josh Mond • Director of It Doesn’t Matter

Interview: Josh Mond • Director of It Doesn’t Matter

“As my movies are so personal, it's important to be surrounded by people who are there for the right reasons”

CANNES 2024: We sat down with the independent US helmer to discuss the collaborative filmmaking process, his central character and the European dream  

16/05/2024 | Cannes 2024 | ACID

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