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Cannes 2024 / Cannes Premiere

11 articles available in total starting from 22/04/2024. Last article published on 24/05/2024.

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Arnaud and Jean-Marie Larrieu • Directors of Jim’s Story

Interview: Arnaud and Jean-Marie Larrieu • Directors of Jim’s Story

"It's a melodrama that isn't fabricated, but simply comes from life"

CANNES 2024: The French filmmakers explain how they came up with their loose and excellent adaptation of Pierric Bailly's novel of the same name  

24/05/2024 | Cannes 2024 | Cannes Premiere

Alain Guiraudie • Director of Misericordia

Interview: Alain Guiraudie • Director of Misericordia

“As I delved deeper into it, I rediscovered how the Catholic religion is anthropophagous”

CANNES 2024: The French filmmaker talks about his new film, a mixture of genres revolving around secrecy, forceful desire, crime and Christianity in a small village  

24/05/2024 | Cannes 2024 | Cannes Première

Jessica Palud • Director of Being Maria

Interview: Jessica Palud • Director of Being Maria

"This young woman spoke out and reported things, but she wasn’t listened to"

CANNES 2024: The French filmmaker spoke to us about her movie charting the tragic fate of actress Maria Schneider, who was left traumatised after shooting Last Tango in Paris  

23/05/2024 | Cannes 2024 | Cannes Premiere

Review: Jim’s Story

Review: Jim’s Story

CANNES 2024: Karim Leklou lights up a magnificent and poignant film by Arnaud and Jean-Marie Larrieu, about the long trajectory of a complex paternity  

22/05/2024 | Cannes 2024 | Cannes Premiere

Review: Being Maria

Review: Being Maria

CANNES 2024: Re-tracing the tormented trajectory of actress Maria Schneider with modesty and utmost precision, Jessica Palud delivers a feminist work of denunciation with very modern undertones  

21/05/2024 | Cannes 2024 | Cannes Première

Review: Misericordia

Review: Misericordia

CANNES 2024: Alain Guiraudie crafts a delectable study of human nature, which falls midway between film noir and comedy in the micro-society of a remote village  

21/05/2024 | Cannes 2024 | Cannes Première

Review: The Marching Band

Review: The Marching Band

CANNES 2024: Two unlikely brothers bond over music, laughter and tears in an archetypal French feel-good story helmed by Emmanuel Courcol  

21/05/2024 | Cannes 2024 | Cannes Première

Emmanuel Courcol • Director of The Marching Band

Interview: Emmanuel Courcol • Director of The Marching Band

“My main concern was making sure the audience doesn’t leave the cinema feeling desperate”

CANNES 2024: The French director behind The Big Hit proves that music really brings people together – even long-lost siblings  

18/05/2024 | Cannes 2024 | Cannes Première

Review: Everybody Loves Touda

Review: Everybody Loves Touda

CANNES 2024: As a singer and a woman in search of freedom, Nisrin Erradi magnetises a poignant, classic yet imperfect melodrama by Nabil Ayouch  

17/05/2024 | Cannes 2024 | Cannes Premiere

Review: Meeting with Pol Pot

Review: Meeting with Pol Pot

CANNES 2024: Rithy Panh's highly personal style of fiction is a new variation on his cinematographic quest to shed light on the Cambodian genocide  

16/05/2024 | Cannes 2024 | Cannes Premiere

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