email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Cannes 2025 / Directors' Fortnight

24 articles available in total starting from 01/04/2025. Last article published on 27/05/2025.

page:   [1]  2  3 
Thomas Ngijol • Director of Untamable

Interview: Thomas Ngijol • Director of Untamable

“My wish was to be in life, at the heart of Cameroon society”

CANNES 2025: The actor-director tells us about how he combined his Cameroon roots with genre cinema to create a intimate crime film blending investigation, family and music  

27/05 | Cannes 2025 | Directors' Fortnight

Yelizaveta Smith, Alina Gorlova, Simon Mozgovyi • Directors of Militantropos

Interview: Yelizaveta Smith, Alina Gorlova, Simon Mozgovyi • Directors of Militantropos

“There were strong signs of collective therapy while making this film”

CANNES 2025: The directors from the Tabor collective discuss the existential stakes of their documentary and how they transform the filmmaking process in times of war  

27/05 | Cannes 2025 | Directors’ Fortnight

Christian Petzold • Director of Mirrors No. 3

Interview: Christian Petzold • Director of Mirrors No. 3

“I want to feel, not to rely on words”

CANNES 2025: In light of his first time on the Croisette, the German director discusses the merits of making simpler films with strong emotional resonance  

26/05 | Cannes 2025 | Directors’ Fortnight

Jafar Panahi wins Cannes' Palme d’Or for It Was Just an Accident

Jafar Panahi wins Cannes' Palme d’Or for It Was Just an Accident

CANNES 2025: The Grand Prix has gone to Joachim Trier’s Sentimental Value, and other accolades to The Secret Agent, Mascha Schilinski, Oliver Laxe, Nadia Melliti, the Dardenne brothers and Bi Gan  

24/05 | Cannes 2025 | Awards

Prïncia Car • Director of The Girls We Want

Interview: Prïncia Car • Director of The Girls We Want

"When women are together, a kind of sisterhood emerges — one that offers more freedom than masculinity’s frameworks"

CANNES 2025: The French filmmaker discusses her first feature, as well as directing an ensemble made of non-professional actors and the connection between gender and resilience  

24/05 | Cannes 2025 | Directors' Fortnight

Review: The Girls We Want

Review: The Girls We Want

CANNES 2025: Prïncia Car’s debut feature is an ambitious but muddled coming-of-age tale  

23/05 | Cannes 2025 | Directors’ Fortnight

The Cannes Directors’ Fortnight rewards The President’s Cake and Wild Foxes

The Cannes Directors’ Fortnight rewards The President’s Cake and Wild Foxes

CANNES 2025: The feature debut by Iraq’s Hasan Hadi is the viewers’ favourite, while Belgian director Valery Carnoy’s movie has scooped the Europa Cinemas Label and the SACD Coup de Cœur Award  

23/05 | Cannes 2025 | Directors’ Fortnight/Awards

Review: Yes

Review: Yes

CANNES 2025: Nadav Lapid valiantly attempts to take Israel’s temperature after 7 October but can only say so much from his soapbox  

23/05 | Cannes 2025 | Directors’ Fortnight

Review: Mirrors No. 3

Review: Mirrors No. 3

CANNES 2025: Christian Petzold and actress Paula Beer continue their collaboration, this time finding a hall of mirrors in two women sharing their grief  

22/05 | Cannes 2025 | Directors’ Fortnight

Review: Militantropos

Review: Militantropos

CANNES 2025: The Ukrainian documentary by Yelizaveta Smith, Alina Gorlova and Simon Mozgovyi observes and investigates the psychological stakes of living in wartime  

21/05 | Cannes 2025 | Directors’ Fortnight

page:   [1]  2  3 

Privacy Policy

Creative Europe MEDIA