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Directors’ Fortnight

434 articles available in total starting from 16/05/2002. Last article published on 23/05/2025.

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Review: The Girls We Want

Review: The Girls We Want

CANNES 2025: Prïncia Car’s debut feature is an ambitious but muddled coming-of-age tale  

23/05 | Cannes 2025 | Directors’ Fortnight

The Cannes Directors’ Fortnight rewards The President’s Cake and Wild Foxes

The Cannes Directors’ Fortnight rewards The President’s Cake and Wild Foxes

CANNES 2025: The feature debut by Iraq’s Hasan Hadi is the viewers’ favourite, while Belgian director Valery Carnoy’s movie has scooped the Europa Cinemas Label and the SACD Coup de Cœur Award  

23/05 | Cannes 2025 | Directors’ Fortnight/Awards

Review: Yes

Review: Yes

CANNES 2025: Nadav Lapid valiantly attempts to take Israel’s temperature after 7 October but can only say so much from his soapbox  

23/05 | Cannes 2025 | Directors’ Fortnight

Review: Mirrors No. 3

Review: Mirrors No. 3

CANNES 2025: Christian Petzold and actress Paula Beer continue their collaboration, this time finding a hall of mirrors in two women sharing their grief  

22/05 | Cannes 2025 | Directors’ Fortnight

Review: Militantropos

Review: Militantropos

CANNES 2025: The Ukrainian documentary by Yelizaveta Smith, Alina Gorlova and Simon Mozgovyi observes and investigates the psychological stakes of living in wartime  

21/05 | Cannes 2025 | Directors’ Fortnight

Review: Untamable

Review: Untamable

CANNES 2025: Thomas Ngijol breaks away from pure comedy with a sort of Cameroonian-style Shaft between a police investigation and family tensions  

20/05 | Cannes 2025 | Directors’ Fortnight

Review: The Party’s Over!

Review: The Party’s Over!

CANNES 2025: Antony Cordier and his wild actors have fun with a sudden and fierce battle between rich and poor arbitrated by an idealistic young class defector  

19/05 | Cannes 2025 | Directors’ Fortnight

Valéry Carnoy • Director of Wild Foxes

Interview: Valéry Carnoy • Director of Wild Foxes

"I wanted a lot of nervousness, with just the right mix of violence and tenderness"

CANNES 2025: The Belgian filmmaker explores subjects such as the injunction to be virile and the relationship with violence in his first feature film  

18/05 | Cannes 2025 | Directors’ Fortnight

Review: Wild Foxes

Review: Wild Foxes

CANNES 2025: Valéry Carnoy delivers a sensitive, embodied first feature, in the breath of its hero, who for the duration of an intense interlude will question the rest of his story  

17/05 | Cannes 2025 | Directors’ Fortnight

Julia Kowalski • Director of Her Will Be Done

Interview: Julia Kowalski • Director of Her Will Be Done

“This is a witch film”

CANNES 2025: The French director talks to us about the dark magic in her film, religion and her Polish roots  

16/05 | Cannes 2025 | Directors’ Fortnight

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