IDFA 2022 (The article continues below - Commercial information) 17 articles available in total starting from 07/10/2022. Last article published on 01/12/2022. page: [1] 2 next Europa Distribution tackles new and old challenges for the release of documentaries at IDFAThe decline in cinema attendance for arthouse films after the pandemic and the challenges of releasing independent documentaries were among the many topics discussed by distributors at the festival 01/12/2022 | IDFA 2022 | IDFA for ProfessionalsReview: Journey Through Our WorldPeter Lataster and Petra Lataster-Czisch’s Best Dutch Film winner is slow but has a certain grace to it – as well as a wasp with thieving tendencies 28/11/2022 | IDFA 2022Review: Much Ado About DyingIDFA Best Director Award winner Simon Chambers comes uncomfortably close to his protagonist in his film, but then reveals a lot of himself, too 25/11/2022 | IDFA 2022Review: Non-Aligned: Scenes from the Labudović ReelsThe second half of Mila Turajlić’s diptych about the cameraman who became Yugoslav president Tito's personal cinematographer suffers from being too vague and wide-ranging 24/11/2022 | IDFA 2022Interview: Mila Turajlic • Director of Non-Aligned: Scenes from the Labudović Reels"It was very important for me to show how the story is put together in the film, that the story didn’t exist prior to it"The Serbian director discusses the second part of her dyptich of documentaries, which re-traces the birth of the Non-Aligned Movement during the era of decolonization 24/11/2022 | IDFA 2022Interview: Jon Bang Carlsen • Director of Dreaming Arizona“The beautiful thing about ‘the real world’ is that it gives you resistance”According to the Danish director, there is no reality, so feel free to come up with your own interpretation 22/11/2022 | IDFA 2022Interview: Lea Glob • Director of Apolonia, Apolonia"I try to find imagery that represents what the world looks like from our perspective as young women"The Danish filmmaker discusses her IDFA-winning documentary, centred on French artist Apolonia Sokol as well as on her own views of the current world 22/11/2022 | IDFA 2022Review: Apolonia, ApoloniaIn her fascinating IDFA winner, Lea Glob starts off with one portrait of an artist and ends up with two 21/11/2022 | IDFA 2022IDFA crowns Apolonia, Apolonia as its championLea Glob’s touching portrayal of a young artist, a movie “infused with love”, has won Best Film in the International Competition, with Angie Vinchito’s Manifesto also noticed 21/11/2022 | IDFA 2022 | AwardsReview: Polish PrayersHana Nobis’s debut feature-length documentary brings us up close and personal with a complex and emotional character who is attempting to confront his own inner demons 17/11/2022 | IDFA 2022 page: [1] 2 next (The article continues below - Commercial information)