IFFR 2025 53 articles available in total starting from 09/12/2024. Last article published on 04/03/2025. page: [1] 2 3 4 5 6 next Interview: Rodrigo Díaz, Pascual Mena • Producers of Erratics“We could imagine that when we watch a film, we are the ghosts who possess a body, the body of the one who witnesses, the body of the camera”The producers awarded with the Eurimages New Lab Outreach Award at this year’s IFFR talked to Cineuropa about the future of the fiction feature directed by Thomas Woodroffe 04/03 | IFFR 2025 | IFFR ProReview: BalentesThe animated film by Giovanni Columbu tells the story of two teenagers in search of freedom in 1940s Sardinia 13/02 | IFFR 2025 | HarbourInterview: Robin Coops • Director of One Charming Night“Filmmaking is thinking through images; it doesn’t matter if you use a big camera, an iPhone or a virtual camera to create your work”The winner of the Eurimages New Lab: Innovation Award tells us more about his exploration of consent, privacy and intimacy in the digital sphere 12/02 | IFFR 2025 | IFFR ProREPORT: Darkroom @ IFFR 2025We take a closer look at five of the 12 projects presented at the Rotterdam-based market, which unspooled from 2-5 February 12/02 | IFFR 2025 | IFFR ProInterview: Lois Patiño • Director of Ariel“My desire was to work in this double experience of reality and fiction, and explore the way they mix”The Galician director reflects on his fourth feature, a meta-cinematic exploration of Shakespeare’s theatre threading together many of his previous preoccupations 10/02 | IFFR 2025 | HarbourInterview: Wilhelm Sasnal • Director of The Assistant“Robert Walser wrote about the uncertainty of tomorrow, about dependence on the employer – it’s very modern”One of Poland’s most successful artists has put a modern spin on a 1908 novel in a new film that he co-directed with Anka Sasnal 10/02 | IFFR 2025 | Big Screen CompetitionReview: The Rhine GoldLorenzo Pullega's debut feature is a dream-like ode to rural Italy, boasting great visuals but lacking cohesion 10/02 | IFFR 2025 | Big Screen CompetitionInterview: Pirjo Honkasalo • Director of Orenda"My films have stories, but they are born when making the film – they are never the purpose of making the film"The storied director talks about her approach to managing the sacred, solitude and silence in her newest feature, a pensive character-driven tale about two women connected in unexpected ways 10/02 | IFFR 2025 | Big Screen CompetitionInterview: Albert Oehlen • Director of Bad Painter“I can make fun of myself”The German painter talks us through his film, in which he takes a jab at the art world – and himself 10/02 | IFFR 2025 | Big Screen CompetitionReview: Acts of LoveJeppe Rønde returns to Rotterdam with a tense interpersonal drama about a woman in a New Age religious community confronted by the secrets held by her outsider brother 10/02 | IFFR 2025 | Harbour page: [1] 2 3 4 5 6 next