IFFR 2025 / Harbour 9 articles available in total starting from 06/01/2025. Last article published on 13/02/2025. Review: BalentesThe animated film by Giovanni Columbu tells the story of two teenagers in search of freedom in 1940s Sardinia 13/02 | IFFR 2025 | HarbourInterview: Lois Patiño • Director of Ariel“My desire was to work in this double experience of reality and fiction, and explore the way they mix”The Galician director reflects on his fourth feature, a meta-cinematic exploration of Shakespeare’s theatre threading together many of his previous preoccupations 10/02 | IFFR 2025 | HarbourReview: Acts of LoveJeppe Rønde returns to Rotterdam with a tense interpersonal drama about a woman in a New Age religious community confronted by the secrets held by her outsider brother 10/02 | IFFR 2025 | HarbourReview: Storm AlertsBergur Bernburg presents a collage-like Icelandic docufiction, a formally fascinating but occasionally overly free-flying examination of defying biomedical diagnoses 10/02 | IFFR 2025 | HarbourReview: StrandzhaPepa Hristova's documentary debut feature attempts to conduct a terrain study, focused on a picturesque mountainous region in Bulgaria, where ancient rituals mingle with current politics 07/02 | IFFR 2025 | HarbourReview: MorlaixJaime Rosales’ new film riffs on fate, romance and inevitability, musing on a love triangle laced with what-ifs 04/02 | IFFR 2025 | HarbourReview: ArielLois Patiño returns with a dramatic fresco derived from Shakespeare’s The Tempest, before he spirals further into the Bard’s oeuvre 04/02 | IFFR 2025 | HarbourReview: The Things You KillUnder the veil of an engrossing family thriller, full of lies and enigmas, Alireza Khatami explores in depth the mechanisms of transmission of male violence 27/01 | Sundance 2025 | World Cinema Dramatic CompetitionInterview: Jeppe Rønde • Director of Acts of Love“This film is about boundaries and overstepping them – they exist at every level of society”The Danish director tells us more about his story of two siblings and what piqued his interest in exploring the kind of religious community it’s set in 06/01 | IFFR 2025 | Harbour