email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Indonesia

(The article continues below - Commercial information)

24 articles available in total starting from 15/02/2012. Last article published on 14/02/2026.

page:   [1]  2  3 
Edwin   • Director of Sleep No More

Interview: Edwin • Director of Sleep No More

“Revealing things bit by bit works better – take Jaws, for example”

BERLINALE 2026: The Indonesian director talks about the horror and the comedy of his riotous film set in a wig factory  

14/02 | Berlinale 2026 | Berlinale Special

Review: Sleep No More

Review: Sleep No More

BERLINALE 2026: In his hair-raising chiller, Indonesian director Edwin delivers the weird and the violent – and the surprisingly touching  

14/02 | Berlinale 2026 | Berlinale Special

Wregas Bhanuteja • Director of Levitating

Interview: Wregas Bhanuteja • Director of Levitating

“Unfortunately, people can become so obsessed with their own standards of happiness that they end up oppressing others who live differently”

The Indonesian director discussed his personal approach to spirituality, fictionalising trance rituals and future projects  

30/01 | Sundance 2026 | World Cinema Dramatic Competition

Review: Levitating

Review: Levitating

Wregas Bhanuteja’s film is an unconventional Indonesian tale that mixes trance rituals and personal growth, unevenly paced yet refreshingly distinctive in tone and vision  

29/01 | Sundance 2026 | World Cinema Dramatic Competition

Indonesian filmmaker Edwin’s Sleep No More to bow in Berlinale Special

Indonesian filmmaker Edwin’s Sleep No More to bow in Berlinale Special

The horror fantasy film, set within the claustrophobic confines of a wig factory in East Jakarta, follows two sisters grappling with the violent death of their mother  

16/01 | Production | Funding | Indonesia/Singapore/Japan/Germany/France

Chie Hayakawa • Director of Renoir

Interview: Chie Hayakawa • Director of Renoir

“What I tried to bring from myself was the myriad emotions I was experiencing that I was not able to put into words”

CANNES 2025: The Japanese director shares her thoughts about art, life and death, and describes how her movie parallels her own life journey  

20/05/2025 | Cannes 2025 | Competition

Review: Renoir

Review: Renoir

CANNES 2025: Japanese filmmaker Chie Hayakawa weaves an infinitely delicate work on childhood’s look at the tortured world of adults  

17/05/2025 | Cannes 2025 | Competition

Chie Hayakawa’s Renoir jumps into the race for the Palme d’Or

Chie Hayakawa’s Renoir jumps into the race for the Palme d’Or

The Japanese writer-director returns to the Croisette with her sophomore feature, an emotional coming-of-age tale set in late-1980s Tokyo  

18/04/2025 | Production | Funding | Japan/France/Singapore/Philippines/Indonesia

Review: Crocodile Tears

Review: Crocodile Tears

Indonesian filmmaker Tumpal Tampubolon’s first feature is an inventive and peculiar take on the love of a suffocating mother, which reveals itself as an undiagnosed form of madness  

11/09/2024 | Toronto 2024 | Centrepiece

Review: Don’t Cry, Butterfly

Review: Don’t Cry, Butterfly

VENICE 2024: Vietnamese director Dương Diệu Lính’s debut is a magic elixir of maternal angst, filial rebellion and creature-feature horror  

03/09/2024 | Venice 2024 | International Film Critics’ Week

page:   [1]  2  3 
(The article continues below - Commercial information)

Privacy Policy