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178 articles available in total starting from 14/10/2005. Last article published on 10/09/2026.

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Nathalia Acevedo • Director of Salón de belleza

Interview: Nathalia Acevedo • Director of Salón de belleza

"It's a space out of time, where present, past and future coexist at the same time"

VENICE 2026: The Mexican actress talks about her directorial debut, in which a beauty salon becomes a place to reflect on the fragility of existence  

10/09 | Venice 2026 | Giornate degli Autori

Review: Salón de belleza

Review: Salón de belleza

VENICE 2026: Nathalia Acevedo makes her directorial debut, turning a beauty salon into a refuge for the dying in a radical and sensorial film hovering between bodies, memory and disquiet  

08/09 | Venice 2026 | Giornate degli Autori

Roma and Flow producers team up on Sofía Carrillo’s stop-motion feature Insectarium

Roma and Flow producers team up on Sofía Carrillo’s stop-motion feature Insectarium

The $4.76 million Mexican-Spanish-Canadian-Latvian co-production marks the Mexican animator’s feature debut and is currently in pre-production for a planned 2028 release  

18/08 | Production | Funding | Mexico/Spain/Canada/Latvia

Actor Pedro Casablanc makes the leap to directing with The King’s Tailor

Actor Pedro Casablanc makes the leap to directing with The King’s Tailor

Jesús Carroza, Natalia de Molina, Alberto Ammann and Alec Baldwin star in this film set in 1960s Casablanca, which blends family drama and political thriller  

29/05 | Production | Funding | Spain/Mexico

Bruno Dumont • Director of Red Rocks

Interview: Bruno Dumont • Director of Red Rocks

“I wanted to return to something primary, where everything begins"

CANNES 2026: One of France’s most unusual filmmakers surprises once again by confronting the limitations of the modern world while striving towards a bright utopia  

21/05 | Cannes 2026 | Directors’ Fortnight

Review: Red Rocks

Review: Red Rocks

CANNES 2026: Bruno Dumont heads south and reinvents the classic “love story” against a backdrop of class struggle and through the lens of early childhood in a bold and technically accomplished film  

20/05 | Cannes 2026 | Directors’ Fortnight

Review: Six Months in a Pink and Blue Building

Review: Six Months in a Pink and Blue Building

CANNES 2026: Bruno Santamaría Razo’s film blends autobiographical fiction and documentary, following a boy in 1990s Mexico City facing his father’s HIV diagnosis  

20/05 | Cannes 2026 | Critics’ Week

Review: Forever Your Maternal Animal

Review: Forever Your Maternal Animal

CANNES 2026: Valentina Maurel’s drama has a seductively hectic energy and boasts some fantastic female protagonists  

19/05 | Cannes 2026 | Un Certain Regard

Valentina Maurel • Director of Forever Your Maternal Animal

Interview: Valentina Maurel • Director of Forever Your Maternal Animal

“I still resist the idea that fiction is there to depict a linear path”

CANNES 2026: We talked with the filmmaker who continues to put Costa Rica on the map of arthouse cinema, as she takes us on the journey of a young woman returning to San José  

16/05 | Cannes 2026 | Un Certain Regard

Manuela Martelli • Director of The Meltdown

Interview: Manuela Martelli • Director of The Meltdown

“Both Chile and Germany have a very clear moment in their history when they started to regain their democracy”

CANNES 2026: The director of 1976 discusses the political and interpersonal stakes in her sophomore feature  

16/05 | Cannes 2026 | Un Certain Regard

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