email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Orizzonti


263 articles available in total starting from 03/09/2005. Last article published on 09/09/2025.

Ana Cristina Barragán • Director of The Ivy

Interview: Ana Cristina Barragán • Director of The Ivy

“Ivy is a plant that is beautiful but also toxic; that duality really interested me”

VENICE 2025: The Ecuadorian director discusses the sensory approach, working with actors and the formal decisions behind her film  

09/09 | Venice 2025 | Orizzonti

Roderick Warich • Director of Funeral Casino Blues

Interview: Roderick Warich • Director of Funeral Casino Blues

“I’m always in between: I want to make horror films and I want to make Tokyo Story

VENICE 2025: The German director unpicks his Bangkok-set movie, a noir-tinged thriller in which love is stronger than life  

08/09 | Venice 2025 | Orizzonti

Akihiro Hata • Director of Grand Ciel

Interview: Akihiro Hata • Director of Grand Ciel

“My political reflections have always been my primary creative drive”

VENICE 2025: The Paris-based Japanese director discusses his social drama which morphs into a thriller, starring Damien Bonnard in the lead  

08/09 | Venice 2025 | Orizzonti

Jim Jarmusch wins Venice's Golden Lion for Father Mother Sister Brother

Jim Jarmusch wins Venice's Golden Lion for Father Mother Sister Brother

VENICE 2025: The Voice of Hind Rajab has scooped the Grand Jury Prize, Below the Clouds the Special Jury Prize and Toni Servillo the Volpi Cup  

06/09 | Venice 2025 | Awards

Review: Funeral Casino Blues

Review: Funeral Casino Blues

VENICE 2025: Roderick Warich’s nocturnal love story travels between genres – and all over Bangkok  

06/09 | Venice 2025 | Orizzonti

Review: Divine Comedy

Review: Divine Comedy

VENICE 2025: Ali Asgari’s metafictional sibling to Terrestrial Verses takes a deep dive into the absurdity buried within the world of Iranian film censorship  

06/09 | Venice 2025 | Orizzonti

Review: Grand Ciel

Review: Grand Ciel

VENICE 2025: Akihiro Hata’s debut feature delves into a dystopian construction site, blending social themes with an eerie atmosphere  

05/09 | Venice 2025 | Orizzonti

Gastón Solnicki • Director of The Souffleur

Interview: Gastón Solnicki • Director of The Souffleur

“I think one has to bet high, especially while one is young”

VENICE 2025: The A Little Love Package director talks about his new ode to Vienna and working with Willem Dafoe  

05/09 | Venice 2025 | Orizzonti

Venice unspools its short films

Venice unspools its short films

VENICE 2025: As this year’s festival comes to a close, we take a look at some of the European shorts, which show how individuals try to live their lives as seismic events shake the world  

05/09 | Venice 2025 | Orizzonti

Mark Jenkin • Director of Rose of Nevada

Interview: Mark Jenkin • Director of Rose of Nevada

“Every film is a ghost film”

VENICE 2025: The British director discusses his new movie, in which a lost fishing vessel takes two young men into the past in a coastal village in Cornwall  

05/09 | Venice 2025 | Orizzonti

Privacy Policy