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Philippines

32 articles available in total starting from 13/02/2012. Last article published on 20/05/2025.

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Chie Hayakawa • Director of Renoir

Interview: Chie Hayakawa • Director of Renoir

“What I tried to bring from myself was the myriad emotions I was experiencing that I was not able to put into words”

CANNES 2025: The Japanese director shares her thoughts about art, life and death, and describes how her movie parallels her own life journey  

20/05 | Cannes 2025 | Competition

Review: Renoir

Review: Renoir

CANNES 2025: Japanese filmmaker Chie Hayakawa weaves an infinitely delicate work on childhood’s look at the tortured world of adults  

17/05 | Cannes 2025 | Competition

Chie Hayakawa’s Renoir jumps into the race for the Palme d’Or

Chie Hayakawa’s Renoir jumps into the race for the Palme d’Or

The Japanese writer-director returns to the Croisette with her sophomore feature, an emotional coming-of-age tale set in late-1980s Tokyo  

18/04 | Production | Funding | Japan/France/Singapore/Philippines/Indonesia

Review: The Garden of Earthly Delights

Review: The Garden of Earthly Delights

Morgan Knibbe’s film explores Manila’s youth, trapped in poverty, crime and postcolonial exploitation, through stunning cinematography and a non-judgemental narrative  

02/04 | Movies That Matter 2025

Review: Where the Night Stands Still

Review: Where the Night Stands Still

BERLINALE 2025: Liryc Dela Cruz plays with the shadows of exile and memory for a personal and controlled debut feature about Filipino siblings reuniting in Italy  

15/02 | Berlinale 2025 | Perspectives

Review: Some Nights I Feel Like Walking

Review: Some Nights I Feel Like Walking

The newest film by Petersen Vargas is an attempt at blending social drama and urban road movie, set on the fringes of Manila  

22/11/2024 | Black Nights 2024 | Competition

Review: Don’t Cry, Butterfly

Review: Don’t Cry, Butterfly

VENICE 2024: Vietnamese director Dương Diệu Lính’s debut is a magic elixir of maternal angst, filial rebellion and creature-feature horror  

03/09/2024 | Venice 2024 | International Film Critics’ Week

Review: Electric Child

Review: Electric Child

Swiss director Simon Jaquemet explores the highly topical theme of AI and its seductive potential, whilst placing particular focus on the fears it incites  

13/08/2024 | Locarno 2024 | Piazza Grande

Simon Jaquemet • Director of Electric Child

Interview: Simon Jaquemet • Director of Electric Child

“I don't fear the end of the world, but the consequences for our society will surely be dire if power is distributed unequally”

In his third feature, the Swiss director dives into the abyss of an AI-generated world  

09/08/2024 | Locarno 2024 | Piazza Grande

Review: Viet and Nam

Review: Viet and Nam

CANNES 2024: Trương Minh Quý’s first fiction feature is a queer romance between two young coal miners, one of whom yearns to leave Vietnam  

22/05/2024 | Cannes 2024 | Un Certain Regard

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