Rome 2020 13 articles available in total starting from 05/10/2020. Last article published on 27/10/2020. page: [1] 2 next Review: Everything’s Gonna Be AlrightIn the fourth film helmed by Francesco Bruni, also the closing title of the 15th Rome Film Fest, the director depicts his illness with humour and confidence, buoyed by an excellent Kim Rossi Stuart 27/10/2020 | Rome 2020Review: ShadowsCarlo Lavagna’s second feature lacks punch and offers a largely predictable story 27/10/2020 | Rome 2020Interview: Aleem Khan • Director of After Love"I grew up in a mixed-race family and didn't really know where I fitted into society"Cineuropa met up with Aleem Khan to talk about his debut feature, After Love, awarded the Cannes label earlier this year 27/10/2020 | Rome 2020Review: The ShiftWith his debut feature, centred on a terrorist attack in Brussels, Alessandro Tonda finds the right tone to tackle a burning topical issue without giving up on entertainment 26/10/2020 | Rome 2020Summer of 85 triumphs at Rome Film FestBearing the Cannes 73 label, François Ozon’s work walked away with the Audience Award while Alice nella Città saw Punta Sacra scoop its Jury Award and Ibrahim its Golden Camera trophy 26/10/2020 | Rome 2020 | AwardsReview: After LoveAleem Khan's excellent debut offers a new perspective on the British Muslim culture clash story 26/10/2020 | Rome 2020Review: SirleyElisa Amoruso makes her fiction debut with a highly personal story, based upon her adolescence which was marked by a special friendship and a pair of maladjusted parents 23/10/2020 | Rome 2020Review: We Are The ThousandAnita Rivaroli’s documentary about the tribute paid to the Foo Fighters by 1,000 musicians offers a snapshot of a musical event that oozes pure joy 22/10/2020 | Rome 2020Review: The SpeechLaurent Tirard signs his name to an ironic and intelligent arthouse comedy which appeals to the wider public and advances at pace with its protagonist’s stream of consciousness 22/10/2020 | Rome 2020Review: FortunaBased on a sinister real-life story, Nicolangelo Gelormini constructs his feature debut as a kind of cubist and surreal horror film, seen from a child’s point of view 20/10/2020 | Rome 2020 page: [1] 2 next