Sarajevo 2025 / Documentary Competition (The article continues below - Commercial information) 11 articles available in total starting from 21/02/2025. Last article published on 29/08/2025. page: [1] 2 next Interview: Yegor Troyanovsky • Director of Cuba & Alaska"My film is a portrait of friendship during wartime"The Ukrainian director reflects on the challenges of filming in an active war zone and the urgent need to preserve human connection through cinema 29/08 | Sarajevo 2025 | Documentary CompetitionInterview: Dalija Dozet • Director of My Dad’s Lessons"My idea was to explore what is left behind in the hundred hours of footage my father obsessively filmed"The Croatian director discusses her film, an intimate dialogue across time, as she uses the archive to reflect on memory, loss, and everything left unsaid 29/08 | Sarajevo 2025 | Documentary CompetitionInterview: Katalin Bársony • Director of I Saw a 'Suno'"The viewpoint of Romani refugee Nasmi and his journey could potentially sensitise people and enable them to feel with us"Through vérité scenes and quiet moments, the director crafts an intimate portrait of displacement, identity and the hope of reunion 27/08 | Sarajevo 2025 | Documentary CompetitionReview: 9-Month ContractKetevan Vashagashvili’s film about one woman’s experience in the Georgian commercial surrogacy market is a unique new instalment in the oeuvre of body-politics documentaries 25/08 | Sarajevo 2025 | Documentary CompetitionReview: Cuba & AlaskaYegor Troyanovsky’s film follows two female combat medics whose spirit and zest for life make it stand out among the numerous documentaries set on Ukraine's frontlines 22/08 | Sarajevo 2025 | Documentary CompetitionReview: Bosnian KnightTarik Hodžić’s documentary about the history of Bosnia and Herzegovina is enlightening but gets bogged down by an overly sanitised visual style 22/08 | Sarajevo 2025 | Documentary CompetitionReview: I Saw a 'Suno'Katalin Bársony’s documentary, filmed over 15 years, is a rich and emotional picture that explores issues of displacement, identity and injustice 20/08 | Sarajevo 2025 | Documentary CompetitionReview: In Hell with IvoKristina Nikolova’s artist portrait is a rare example of a protagonist taking over the film and the director letting them do so 20/08 | Sarajevo 2025 | Documentary CompetitionReview: Third WorldWith his documentary, Arsen Oremović tries to capture the energies of two artists and their band while they made their seminal Yugoslav rock album 19/08 | Sarajevo 2025 | Documentary CompetitionFifty films to compete for awards at the Sarajevo Film FestivalThe selection includes the new works by Ivana Mladenović, Hana Jušić and Srdjan Vuletić 23/07 | Sarajevo 2025 page: [1] 2 next (The article continues below - Commercial information)