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551 articles available in total starting from 08/03/2006. Last article published on 12/09/2026.

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Review: Until the Day Ends

Review: Until the Day Ends

VENICE 2026: Jelena Maksimović signs one of the most visually distinctive entries in the Orizzonti sidebar, a semi-allegorical film set amidst Serbia’s ongoing student protests  

12/09 | Venice 2026 | Orizzonti

DJ Ahmet leads the nominees for the Adriatic Film and TV Awards

DJ Ahmet leads the nominees for the Adriatic Film and TV Awards

Georgi M Unkovski's film tops the list, closely followed by Yugo Florida, God Will Not Help, Mother and Wind, Talk to Me  

10/09 | Festivals | Awards | Slovenia/Croatia/Serbia/Bosnia and Herzegovina/Montenegro/Kosovo/North Macedonia/Albania

Nicola Sorcinelli • Director of Balcanica

Interview: Nicola Sorcinelli • Director of Balcanica

"It was important for me to depict a human connection that would be recognisable in order to elicit empathy"

VENICE 2026: The Italian director chats to us about his debut feature, the story of an Afghan father and son fleeing their homeland with their musical instruments  

08/09 | Venice 2026 | Giornate degli Autori

Review: Balcanica

Review: Balcanica

VENICE 2026: Nicola Sorcinelli’s debut feature follows an Afghan father and son migrating along the dangerous Balkan Route towards Italy, crossing paths with a young doctor along the way  

08/09 | Venice 2026 | Giornate degli Autori

Boris Hadžija, Hoda Taheri • Directors of I Plant My Hand in the Garden

Interview: Boris Hadžija, Hoda Taheri • Directors of I Plant My Hand in the Garden

“Our films are always somehow in a continuous conversation with one other”

VENICE 2026: The directing duo blur autobiography and fiction to explore what it means to be a family, amid migration, identity and parenthood  

05/09 | Venice 2026 | Giornate degli Autori

Review: I Plant My Hand in the Garden

Review: I Plant My Hand in the Garden

VENICE 2026: Straddling autobiography and fiction, Hoda Taheri and Boris Hadžija’s debut feature film probes family, identity and belonging, challenging the roles society assigns us  

03/09 | Venice 2026 | Giornate degli Autori

Igor Jelinović • Director of Honey Bunny

Interview: Igor Jelinović • Director of Honey Bunny

“Family is the most precious thing until something more profitable comes along”

The Croatian filmmaker discusses turning a real family dispute into his feature debut and exploring the conflicting perspectives at the heart of the story  

01/09 | /Croatia/Serbia

Bojana Novaković • Director of The Forbidden Aunt

Interview: Bojana Novaković • Director of The Forbidden Aunt

"This is a film about sexual violence in the Balkans - and it’s funny"

The Serbian-Australian actor and filmmaker discusses the complicated legacy of female strength and the role of humour when dealing with trauma  

26/08 | Sarajevo 2026 | Documentary Competition

Petar Glomazić • Co-director and producer of To Hold a Mountain

Interview: Petar Glomazić • Co-director and producer of To Hold a Mountain

“The funds’ support was decisive for our final production framework, enabling us to remain independent and fully realise our artistic vision”

The Montenegrin filmmaker discusses the pathway to realising the award-winning documentary that he co-directed with Biljana Tutorov  

25/08 | Indie Producer Focus/Herceg Novi 2026

Zvonimir Jurić • Director of Small Things

Interview: Zvonimir Jurić • Director of Small Things

"I like characters who have a radical form of empathy and who think about the bigger picture"

The Croatian helmer breaks down his intimate drama film, a chamber piece set over one winter weekend on a Croatian island  

25/08 | Sarajevo 2026 | Competition

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