Venice 2017 76 articles available in total starting from 22/03/2017. Last article published on 12/09/2017. page: [1] 2 3 4 5 6 7 8 next Team Hurricane: A punk-chick flickVENICE 2017: Annika Berg’s debut film mixes documentary material with highly stylised fiction to give a snapshot of the lives of eight teenage girls 12/09/2017 | Venice 2017 | International Critics’ WeekBeautiful Things: Is there more than meets the eye?VENICE 2017: Giorgio Ferrero and Federico Biasin take a visually and aurally arresting look at the manufacturing process of the goods we find at home 12/09/2017 | Venice 2017 | Biennale College CinemaThe Golden Lion goes to Guillermo del Toro’s The Shape of WaterVENICE 2017: The Silver Lion went to Israel’s Foxtrot, France’s Xavier Legrand secured a double win with Custody, and Nico, 1988 by Susanna Nicchiarelli triumphed in Orizzonti 09/09/2017 | Venice 2017 | AwardsReview: CandelariaVENICE 2017: The winner of the GdA Director’s Award, Colombian director Jhonny Hendrix Hinestroza’s film is a treasure trove of emotions and humanity, co-produced with Germany and Norway, among others 09/09/2017 | Venice 2017 | Giornate degli AutoriEx Libris wins Venice's FIPRESCI AwardVENICE 2017: The Audience Award for Best Film in the International Critics' Week has been given to Hunting Season by Natalia Garagiola 09/09/2017 | Venice 2017 | International Critics' Week | Competition | Orizzonti | AwardsCustody: Sleepovers with the enemyVENICE 2017: Xavier Legrand, nominated for an Academy Award for his short Just Before Losing Everything, impresses at Venice with his first feature, presented in the main competition 09/09/2017 | Venice 2017 | CompetitionCandelaria comes out on top in the Giornate degli AutoriVENICE 2017: The jury chaired by director Samira Makhmalbaf has crowned Jhonny Hendrix Hinestroza’s film; the Audience Award went to Longing and the Europa Cinemas Label to M 09/09/2017 | Venice 2017 | Giornate degli Autori/AwardsLife Guidance: A man breaks free from the clutches of idyllic capitalismVENICE 2017: Austrian Ruth Mader's film is a sterile and disturbing futuristic thriller in which a private agency is tasked with rewiring those who rebel against the system 09/09/2017 | Venice 2017 | Giornate degli AutoriKrieg: The consequences of warVENICE 2017: Rick Ostermann returns to Venice with a drama set on a mountain where a man hides himself after a loss 08/09/2017 | Venice 2017 | OrizzontiUgly Nasty People: A politically incorrect black comedyVENICE 2017: The debut feature film by Cosimo Gomez shows a gang of disabled people who, after robbing a bank, want to kill each other 08/09/2017 | Venice 2017 | Orizzonti page: [1] 2 3 4 5 6 7 8 next