Venice 2017 / International Critics’ Week 9 articles available in total starting from 24/07/2017. Last article published on 12/09/2017. Team Hurricane: A punk-chick flickVENICE 2017: Annika Berg’s debut film mixes documentary material with highly stylised fiction to give a snapshot of the lives of eight teenage girls 12/09/2017 | Venice 2017 | International Critics’ WeekEx Libris wins Venice's FIPRESCI AwardVENICE 2017: The Audience Award for Best Film in the International Critics' Week has been given to Hunting Season by Natalia Garagiola 09/09/2017 | Venice 2017 | International Critics' Week | Competition | Orizzonti | AwardsThe Wild Boys: Gender-bending surrealismVENICE 2017: French director Bertrand Mandico delivers his debut feature, an experimental journey to the limits of imposed gender roles, set in an undisclosed realm of wonders 05/09/2017 | Venice 2017 | International Critics’ WeekThe Gulf: There’s something rotten in the state of TurkeyVENICE 2017: Through an allegorical, dystopian story, debutant Emre Yeksan raises awareness of a possible catastrophic event, while making a clear social comment on his homeland 04/09/2017 | Venice 2017 | International Critics’ WeekSarah Plays a Werewolf: What it feels like for a girlVENICE 2017: In her first feature, shown in the International Critics’ Week, Katharina Wyss proves that all these pop songs were right after all: there is nothing quite as hard as being a teenage girl 03/09/2017 | Venice 2017 | International Critics’ WeekHunting Season: Feelings that need to be exposedVENICE 2017: In her film screening in the Critics’ Week, debutant Argentinian director Natalia Garagiola observes a father-son relationship in need of mutual maturation 02/09/2017 | Venice 2017 | International Critics’ WeekCrater: A neomelodic singer in search of freedomVENICE 2017: The first fiction feature film by Silvia Luzi and Luca Bellino tells the story of a Neapolitan father trying to cash in on the musical talent of his adolescent daughter 02/09/2017 | Venice 2017 | International Critics' WeekPin Cushion: An adolescence from hellVENICE 2017: An intimate and fierce social critique, Deborah Haywood’s British film has opened the 32nd International Critics’ Week out of competition 31/08/2017 | Venice 2017 | International Critics' WeekA Venice Critics’ Week marked by research, women and young peopleThe programme for the 32nd edition of the parallel and autonomous section of the Venice Film Festival, which will be held from 30 August to 9 September 2017, has been unveiled in Rome 24/07/2017 | Venice 2017 | International Critics’ Week