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Venice 2018 / Orizzonti

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Emir Baigazin  • Director

Interview: Emir Baigazin • Director

“The most important thing for me was the spiritual component”

VENICE 2018: We talked to Kazakh director Emir Baigazin, who presented his third feature, The River, in the Orizzonti competition programme and won Best Director to boot  

12/09/2018 | Venice 2018 | Orizzonti

Mikhaël Hers  • Director

Interview: Mikhaël Hers • Director

Amanda is a film about the loss of points of reference”

VENICE 2018: We sat down with writer-director Mikhaël Hers, whose Amanda is the story of a family and relationship that are forever changed by a terrorist attack  

11/09/2018 | Venice 2018 | Orizzonti

Review: The Day I Lost My Shadow

Review: The Day I Lost My Shadow

VENICE 2018: Soudade Kaadan’s magical realist tale set in Syria in 2012 won Best Debut Film at Venice  

11/09/2018 | Venice 2018 | Orizzonti

Review: If Life Gives You Lemons

Review: If Life Gives You Lemons

VENICE 2018: Ciro D’Emilio takes an unexpectedly sombre look at the reality of single-parent, working-class families in the poverty-stricken south of Italy  

10/09/2018 | Venice 2018 | Orizzonti

Review: The Man Who Surprised Everyone

Review: The Man Who Surprised Everyone

VENICE 2018: The second feature by directorial duo Natasha Merkulova and Aleksey Chupov tells a story that merges folklore and local humour with contemporary politics  

10/09/2018 | Venice 2018 | Orizzonti

Roma triumphs in Venice, with Guillermo del Toro passing the baton to Alfonso Cuarón

Roma triumphs in Venice, with Guillermo del Toro passing the baton to Alfonso Cuarón

VENICE 2018: The Netflix film wins the Golden Lion, handed to Cuarón by his fellow countryman and previous winner of the award, while the Grand Jury Prize goes to Yorgos Lanthimos for The Favourite  

08/09/2018 | Venice 2018 | Awards/Competition/Orizzonti

Review: Manta Ray

Review: Manta Ray

VENICE 2018: Phuttiphong Aroonpheng puts his name to an atmospheric and cryptic first film which shows great promise in terms of form, but which verges on the abstract  

07/09/2018 | Venice 2018 | Orizzonti

Review: Truk

Review: Truk

VENICE 2018: The engrossing debut by French director Sarah Marx deals with prison and depression  

07/09/2018 | Venice 2018 | Orizzonti

Review: The River

Review: The River

VENICE 2018: Presented in this year’s Orizzonti competition programme, Emir Baigazin’s new movie is easily one of the most visually extravagant titles in the section  

06/09/2018 | Venice 2018 | Orizzonti

Review: The Armadillo's Prophecy

Review: The Armadillo's Prophecy

VENICE 2018: Fandango signs an adaptation of cartoonist Zerocalcare’s bestselling graphic novel, directed by Emanuele Scaringi  

05/09/2018 | Venice 2018 | Orizzonti

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