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Venice 2024 / International Film Critics’ Week

18 articles available in total starting from 23/07/2024. Last article published on 06/09/2024.

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Vietnam's Don’t Cry, Butterfly wins the Grand Prize in Venice’s International Film Critics’ Week

Vietnam's Don’t Cry, Butterfly wins the Grand Prize in Venice’s International Film Critics’ Week

VENICE 2024: The US title Homegrown scooped the Prize for Best Technical Contribution, while Jethro Massey’s Paul & Paulette Take a Bath snagged the Audience Award  

06/09/2024 | Venice 2024 | International Film Critics’ Week/Awards

Lawrence Valin • Director of Little Jaffna

Interview: Lawrence Valin • Director of Little Jaffna

"At a certain point, I wondered where my place was"

VENICE 2024: The French filmmaker chatted with us about his first feature film, a detective film blending western and Kollywood styles, and his desire to champion dual heritage  

06/09/2024 | Venice 2024 | International Film Critics’ Week

Review: Little Jaffna

Review: Little Jaffna

VENICE 2024: Lawrence Valin blends police infiltration with a deep dive into Paris’s Tamil community in a refreshing and audacious first feature film  

06/09/2024 | Venice 2024 | International Film Critics’ Week

Muhammed Hamdy • Director of Perfumed with Mint

Interview: Muhammed Hamdy • Director of Perfumed with Mint

“The movie comes from anger or a sense of bitterness”

VENICE 2024: In his feature debut, the Egyptian director forces a group of men to confront the shadows of their past  

06/09/2024 | Venice 2024 | International Film Critics’ Week

Review: Perfumed with Mint

Review: Perfumed with Mint

VENICE 2024: In his feature debut, Egyptian director Muhammed Hamdy dwells on the notions of anger and pain, and the ways of accepting them  

06/09/2024 | Venice 2024 | International Film Critics’ Week

Jethro Massey • Director of Paul & Paulette Take a Bath

Interview: Jethro Massey • Director of Paul & Paulette Take a Bath

“It doesn't go where your typical romantic comedy goes; I trusted myself to take it somewhere else”

VENICE 2024: The debuting Franco-British director regales us with stories of on-the-streets filmmaking, Paris’s dark history and social-media inspiration  

05/09/2024 | Venice 2024 | International Film Critics’ Week

Review: Paul & Paulette Take a Bath

Review: Paul & Paulette Take a Bath

VENICE 2024: British director Jethro Massey’s debut is a whimsical Parisian romance interrupted by odd detours into the city’s dark history  

04/09/2024 | Venice 2024 | International Film Critics’ Week

Review: Don’t Cry, Butterfly

Review: Don’t Cry, Butterfly

VENICE 2024: Vietnamese director Dương Diệu Lính’s debut is a magic elixir of maternal angst, filial rebellion and creature-feature horror  

03/09/2024 | Venice 2024 | International Film Critics’ Week

Milad Tangshir • Director of Anywhere Anytime

Interview: Milad Tangshir • Director of Anywhere Anytime

“I wouldn’t just remake a timeless masterpiece – I’m not crazy”

VENICE 2024: The director explains how a regular bicycle can, for some people, mean the difference between survival or simply not making it  

03/09/2024 | Venice 2024 | International Film Critics’ Week

Alexandra Simpson • Director of No Sleep Till

Interview: Alexandra Simpson • Director of No Sleep Till

“This wait for something bigger than you was something that I wanted to be palpable from the very beginning”

VENICE 2024: The half-French, half-US filmmaker chats to us about hurricanes, Florida and finding the beauty in disaster  

03/09/2024 | Venice 2024 | International Film Critics’ Week

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