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Venice 2025 / Orizzonti

15 articles available in total starting from 18/07/2025. Last article published on 01/09/2025.

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Review: The Souffleur

Review: The Souffleur

VENICE 2025: Gastón Solnicki takes us on a tour of Vienna’s Intercontinental Hotel with Willem Dafoe as our guide  

01/09 | Venice 2025 | Orizzonti

Review: A Year of School

Review: A Year of School

VENICE 2025: Laura Samani’s second film is a female coming-of-age story that betrays the revolutionary spirit of the character in the novel on which it is based  

31/08 | Venice 2025 | Orizzonti

Review: Rose of Nevada

Review: Rose of Nevada

VENICE 2025: In Mark Jenkin’s oneiric new feature, George MacKay and Callum Turner man a Cornish fishing vessel that can travel through time  

31/08 | Venice 2025 | Orizzonti

Carolina Cavalli • Director of The Kidnapping of Arabella

Interview: Carolina Cavalli • Director of The Kidnapping of Arabella

“I like irony that borders on the absurd because it reflects human existence, how uncertain and contradictory it is"

VENICE 2025: We talked to the Italian director about non-places, the camp aesthetic and characters that reflect the confusion and disorientation of today  

31/08 | Venice 2025 | Orizzonti

Review: The Kidnapping of Arabella

Review: The Kidnapping of Arabella

VENICE 2025: Carolina Cavalli’s sophomore feature uses off-kilter dramedy to reflect on an emerging generation disappointed with their lives  

31/08 | Venice 2025 | Orizzonti

Mihai Mincan • Director of Milk Teeth

Interview: Mihai Mincan • Director of Milk Teeth

“What I’ve tried to do is not make some kind of ‘autobiographical memory’ film, but rather convey a feeling of loneliness”

VENICE 2025: The Romanian director talks about blending historical reality, childhood memories and the weight of silence  

31/08 | Venice 2025 | Orizzonti

Jaume Claret Muxart • Director of Strange River

Interview: Jaume Claret Muxart • Director of Strange River

“It's an educational film: about desire and sexuality”

VENICE 2025: The debuting Catalan filmmaker talks to us about his first feature, shot on 16 mm while cycling along the Danube with his family, with sexual awakening as its backdrop  

30/08 | Venice 2025 | Orizzonti

Tereza Nvotová • Director of Father

Interview: Tereza Nvotová • Director of Father

“What got me intrigued, even obsessed, was that moment when everything turns and you’re dropped into a parallel universe”

VENICE 2025: The Slovak director takes on a macabre subject, following a decent man and father into a spiral of horror, after a memory lapse changes his and others’ lives  

29/08 | Venice 2025 | Orizzonti

Review: Milk Teeth

Review: Milk Teeth

VENICE 2025: Mihai Mincan’s feature uses documentary-like realism to portray a child’s disappearance amid political upheaval and personal grief  

29/08 | Venice 2025 | Orizzonti

Review: Strange River

Review: Strange River

VENICE 2025: Jaume Claret Muxart's debut is a beautiful and sensitive physical and mental journey towards the discovery of sexual desire and the first stirrings of individuality - in short, of freedom  

29/08 | Venice 2025 | Orizzonti

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