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Warsaw 2024

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12 articles available in total starting from 20/09/2024. Last article published on 23/10/2024.

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Review: Chaos and Silence

Review: Chaos and Silence

Anatol Schuster’s enigmatic drama follows a couple as they face life transitions, while their landlady’s strange mental breakdown disrupts people’s lives  

23/10 | Warsaw 2024

Liliana Torres • Director of Mamífera

Interview: Liliana Torres • Director of Mamífera

“The lack of positive role models for women who don’t want to be mothers contributes to stigmatisation”

The Spanish director talks about her latest film, an exploration of bodily, reproductive and social autonomy around women who don't want to be mothers  

23/10 | Warsaw 2024

Review: Ink Wash

Review: Ink Wash

Sarra Tsorakidis’s debut feature, following a painter as she faces her 40s and her future prospects while on a job in the Romanian forest, suffers on account of being a tad too contemplative  

22/10 | Warsaw 2024

Review: Traffic

Review: Traffic

Teodora Ana Mihai’s second fiction feature is a layered social-realist film looking at inequality and exploitation in our modern world with a healthy dose of humour  

21/10 | Warsaw 2024

Traffic and In Good Faith triumph at the 40th Warsaw Film Festival

Traffic and In Good Faith triumph at the 40th Warsaw Film Festival

Teodora Ana Mihai’s second fiction feature has won the Grand Prize in the International Competition, while Frauke Lodders’s new film was victorious in the 1-2 Competition  

21/10 | Warsaw 2024 | Awards

Robert Budina • Director of Waterdrop

Interview: Robert Budina • Director of Waterdrop

“We wanted to have a kind of anatomy of our society, but also of the relationship you have with your family, career, society and politics”

The Albanian director shares the sociopolitical inspirations behind his latest film and its complex main character  

16/10 | Warsaw 2024

Review: Waterdrop

Review: Waterdrop

One drop is all it takes to break the dam in the third feature by Albanian filmmaker Robert Budina, a scathing realist indictment of collective complicity in violent patriarchal systems  

15/10 | Warsaw 2024

Review: Good Children

Review: Good Children

Filip Šovagović and Nina Violić shine as middle-aged, bickering siblings in Filip Peruzović’s debut feature  

11/10 | Warsaw 2024

Review: The Last Romantics

Review: The Last Romantics

David Pérez Sañudo takes on a commission, making a big-screen adaptation of Txani Rodríguez’s novel of the same name, a movie steeped in a sad atmosphere where only fantasy allows for any joy  

30/09 | San Sebastián 2024 | New Directors

The 40th Warsaw Film Festival announces its programme

The 40th Warsaw Film Festival announces its programme

The annual film event will take place in the Polish capital from 11-20 October  

26/09 | Warsaw 2024

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