France / Germany 704 articles available in total starting from 03/07/2002. Last article published on 08/09/2025. page: [1] 2 3 4 5 6 7 8 ... 69 70 71 next Interview: Ildikó Enyedi • Director of Silent Friend“I wanted to show how quickly our gaze changes”VENICE 2025: The Hungarian director gives us the low-down on her new feature, which centres on a ginkgo tree in three different timelines 08/09 | Venice 2025 | CompetitionReview: Do You Love MeVENICE 2025: Using only archival material, Lebanese director Lana Daher composes a vivid and multiform portrait of her beloved village martyred by too many wars 08/09 | Venice 2025 | Giornate degli AutoriReview: Divine ComedyVENICE 2025: Ali Asgari’s metafictional sibling to Terrestrial Verses takes a deep dive into the absurdity buried within the world of Iranian film censorship 06/09 | Venice 2025 | OrizzontiReview: Silent FriendVENICE 2025: Ildikó Enyedi’s eccentric, charming film inspects a tree in a German university garden in three distinct time periods over the last century 06/09 | Venice 2025 | CompetitionInterview: Jim Jarmusch • Director of Father Mother Sister Brother“I’m very intuitive in what I do, not analytical”VENICE 2025: The US director shares some thoughts on his stories, his work and his love for cinema, veering off at times into some minute detail 05/09 | Venice 2025 | CompetitionSeries review: EttyVENICE 2025: Hagai Levi delivers a poignant and captivating series about the forging of an unusual woman’s psyche and her resilience in the face of hatred 03/09 | Venice 2025 | Out of CompetitionReview: Cotton QueenVENICE 2025: In spite of its title, Suzannah Mirghani’s impressive debut, following a Sudanese girl assessing her future on a plantation, avoids any fluff 03/09 | Venice 2025 | International Film Critics’ WeekInterview: Maryam Touzani • Director of Calle Málaga“There was a richness that I felt growing up, and I wanted to pay tribute to this community”VENICE 2025: The director of The Blue Caftan speaks about bringing to the screen the unique beauty and complexity of her home city of Tangier 03/09 | Venice 2025 | Venezia SpotlightReview: Calle MálagaVENICE 2025: Maryam Touzani brings us a new Moroccan story brimming with life and love, and urging us to think deeply about generational divides 03/09 | Venice 2025 | Venezia SpotlightReview: Lost LandVENICE 2025: Japanese director Akio Fujimoto’s powerful second feature follows two displaced Rohingya children as they attempt to flee Bangladesh for Malaysia 03/09 | Venice 2025 | Orizzonti page: [1] 2 3 4 5 6 7 8 ... 69 70 71 next