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Berlinale 2018

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150 articles available in total starting from 22/08/2017. Last article published on 06/03/2018.

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Review: Facing the Wind

Review: Facing the Wind

BERLIN 2018: Meritxell Colell Aparicio’s debut feature revolves around brushes with the past in a rural setting where silences and small gestures speak for themselves  

17/02/2018 | Berlinale 2018 | Forum

Review: Horizon

Review: Horizon

The second film by Brides director Tinatin Kajrishvili is a layered exploration of the unbearable loss the hero feels after his wife leaves him  

17/02/2018 | Berlinale 2018 | Panorama

Review: Black 47

Review: Black 47

BERLIN 2018: In a well-meaning, if not entirely successful, feature presented out of competition at Berlin, Irish director Lance Daly takes on the Great Famine and ends up with a western  

17/02/2018 | Berlinale 2018 | Out of competition

Review: The Heiresses

Review: The Heiresses

BERLIN 2018: The first full-length film by Paraguayan director Marcelo Martinessi is a vast co-production that focuses on a muted epiphany  

17/02/2018 | Berlinale 2018 | Competition

The Match Factory seals a deal for Lukas Dhont’s debut, Girl

The Match Factory seals a deal for Lukas Dhont’s debut, Girl

BERLIN 2018: The winner of a Work in Progress Award at Les Arcs and CONNeXT has been added to the line-up of the German international sales agent  

17/02/2018 | Berlinale 2018 | Market/Germany

Case Study on The Bookshop II, Berlinale Co-Production Market

Case Study on The Bookshop II, Berlinale Co-Production Market

Case Study

BERLIN 2018: A panel from the Berlinale Co-Production Market, focusing on literary adaptation through Isabel Coixet's The Bookshop  

17/02/2018 | Berlinale 2018 | Market

Case Study on The Bookshop I, Berlinale Co-Production Market

Case Study on The Bookshop I, Berlinale Co-Production Market

Case Study

BERLIN 2018: A panel from the Berlinale Co-Production Market, focusing on literary adaptation through Isabel Coixet's The Bookshop  

17/02/2018 | Berlinale 2018 | Market

Review: When the War Comes

Review: When the War Comes

BERLIN 2018: Czech filmmaker Jan Gebert's first feature-length documentary about a Slovak paramilitary group is scary on many levels, although hardly surprising  

16/02/2018 | Berlinale 2018 | Panorama Dokumente

French sales agents make a barrage of announcements at Berlin

French sales agents make a barrage of announcements at Berlin

The EFM has got off to a flying start for Gaumont, Wild Bunch, SBS, StudioCanal, Memento, MK2, Indie Sales, Versatile, Bac, Wide, Loco Films and Celluloid Dreams  

16/02/2018 | Berlinale 2018 | Market/France

Maike Mia Höhne • Curator, Berlinale Shorts

Interview: Maike Mia Höhne • Curator, Berlinale Shorts

“The future is here. The short form has a lot more to offer!”

BERLIN 2018: Maike Mia Höhne, curator of Berlinale Shorts, gave us an insight into what we can look forward to in this year’s programme  

16/02/2018 | Berlinale 2018 | Shorts

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