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Directors’ Fortnight

440 articles available in total starting from 16/05/2002. Last article published on 17/06/2025.

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Thomas Salvador • Director of The Mountain

Interview: Thomas Salvador • Director of The Mountain

"My main character leaves a lot behind him in order to find something deep inside of himself, in order to be reborn"

CANNES 2022: The French filmmaker discusses the making of his latest film, which unfolds almost entirely in the high mountains and boasts a sci-fi dimension  

30/05/2022 | Cannes 2022 | Directors’ Fortnight

Festival Scope presents the 2022 Directors' Fortnight short films online

Festival Scope presents the 2022 Directors' Fortnight short films online

Six short films selected for this year's edition are accessible online for free, from today until 5 June, on the platform  

30/05/2022 | Cannes 2022 | Directors' Fortnight

Review: De humani corporis fabrica

Review: De humani corporis fabrica

CANNES 2022: Gut-wrenching but never grotesque, Lucien Castaing-Taylor and Véréna Paravel’s new documentary is an opera of the operating table  

30/05/2022 | Cannes 2022 | Directors’ Fortnight

Mark Jenkin • Director of Enys Men

Interview: Mark Jenkin • Director of Enys Men

“My feeling is that the past, present and future all exist at the same time”

CANNES 2022: Cineuropa met up with the Cornish director to talk about the influences and superstitions that fed into his new film – plus red jackets  

30/05/2022 | Cannes 2022 | Directors’ Fortnight

Fabián Hernández • Director of A Male

Interview: Fabián Hernández • Director of A Male

“Compared to other Colombian films, I think my approach is deeper and more respectful of the people and the neighbourhood”

CANNES 2022: The Colombian director’s coming-of-age drama shows that what makes a real man are his core values  

30/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: The Dam

Review: The Dam

CANNES 2022: Ali Cherri has crafted a bold, esoteric and aesthetically pleasing work set in a remote area of northern Sudan at the time of the 2019 military coup in the country  

27/05/2022 | Cannes 2022 | Directors’ Fortnight

One Fine Morning crowned with the Europa Cinemas Label at Cannes

One Fine Morning crowned with the Europa Cinemas Label at Cannes

CANNES 2022: French director Mia Hansen-Løve’s movie has been deemed the best European film in the Directors’ Fortnight, while Thomas Salvador’s The Mountain has taken home the SACD Award  

27/05/2022 | Cannes 2022 | Directors’ Fortnight/Awards

Alice Winocour • Director of Paris Memories

Interview: Alice Winocour • Director of Paris Memories

"People stopped again and again and asked if something had happened, so we had to put up signs saying ‘This is a film shoot’"

CANNES 2022: Inspired by the 2015 Paris terrorist attacks, the French filmmaker showcases a very personal take on events  

26/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: The Green Perfume

Review: The Green Perfume

CANNES 2022: Nicolas Pariser tries his hand at a spy comedy in the playful spirit of a comic book, but this perfect replica slides into autopilot once its initial pace has peaked  

26/05/2022 | Cannes 2022 | Directors’ Fortnight

Annie Ernaux and David Ernaux-Briot • Directors of The Super-8 Years

Interview: Annie Ernaux and David Ernaux-Briot • Directors of The Super-8 Years

“When I wrote the text for the film, I wrote it with the image”

CANNES 2022: We met up with the famous French author and her son to discuss their documentary and its different levels of reading  

26/05/2022 | Cannes 2022 | Directors’ Fortnight

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