Germany 4538 articles available in total starting from 23/05/2002. Last article published on 15/08/2025. previous page: 1 2 3 ... 8 9 [10] 11 12 ... 452 453 454 next Interview: Fred Burle, Géraldine Sprimont, Lionel Massol • Producers“Dancing between creativity and finances is exactly what makes producers’ work so thrilling and interesting”CANNES 2025: The producers from Germany, Belgium and France discuss their projects and their attendance at the festival through the EFP initiative Producers on the Move 23/05 | Producers on the Move 2025Interview: Kirill Serebrennikov • Director of The Disappearance of Josef Mengele"I wanted to get a grasp of the collective system called Mengele – the people who helped him, protected him, funded him, hid him"CANNES 2025: The Russian director in exile elaborates on his motivation to dissect a Nazi mind on screen and reveals behind-the-scenes production details 23/05 | Cannes 2025 | Cannes PremièreReview: Aisha Can’t Fly AwayCANNES 2025: Morad Mostafa crafts a debut feature that’s cinematically familiar in its festival aesthetic but is let down by a surface-level story despite its weighty themes 23/05 | Cannes 2025 | Un Certain RegardReview: YesCANNES 2025: Nadav Lapid valiantly attempts to take Israel’s temperature after 7 October but can only say so much from his soapbox 23/05 | Cannes 2025 | Directors’ FortnightReview: RomeríaCANNES 2025: Golden Bear winner Carla Simón brings another beautifully crafted personal story, which captivates with its deceptive simplicity 22/05 | Cannes 2025 | CompetitionReview: The Last One for the RoadCANNES 2025: Italian director Francesco Sossai morphs into Aki Kaurismäki, and delivers a loveable ode to drunken encounters and that first hungover cigarette 22/05 | Cannes 2025 | Un Certain RegardReview: Sentimental ValueCANNES 2025: Joachim Trier comes close to going full Bergman in this touching family psychodrama but amps up the gentle humour 22/05 | Cannes 2025 | CompetitionReview: Mirrors No. 3CANNES 2025: Christian Petzold and actress Paula Beer continue their collaboration, this time finding a hall of mirrors in two women sharing their grief 22/05 | Cannes 2025 | Directors’ FortnightReview: The Disappearance of Josef MengeleCANNES 2025: Kirill Serebrennikov’s latest feature is a rich, dense, complex, absorbing and eventually unbiased portrait of a fascist in exile 21/05 | Cannes 2025 | Cannes PremièreReview: A PoetCANNES 2025: Simón Mesa Soto paints a humorous and thoughtful portrait of a good-for-nothing poetry bum worth rooting for 21/05 | Cannes 2025 | Un Certain Regard previous page: 1 2 3 ... 8 9 [10] 11 12 ... 452 453 454 next