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Toronto 2026

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114 articles available in total starting from 18/02/2026. Last article published on 28/09/2026.

Review: Fjord

Review: Fjord

CANNES 2026: Romanian helmer Cristian Mungiu crafts a legal thriller based on a true story, sparking a debate on the limits of institutional interference in our private lives  

19/05 | Cannes 2026 | Competition

Review: The Unknown

Review: The Unknown

CANNES 2026: Arthur Harari opens a gateway to the impossible and delivers an extraordinary, cryptic work on human identity, cloaked in the unsettling and disturbing guise of fantasy cinema  

18/05 | Cannes 2026 | Competition

Review: Everytime

Review: Everytime

CANNES 2026: Sandra Wollner delivers a brilliantly directed, highly enigmatic and dizzying helter-skelter of a movie  

18/05 | Cannes 2026 | Un Certain Regard

Rodrigo Sorogoyen • Director of The Beloved

Interview: Rodrigo Sorogoyen • Director of The Beloved

“In our lives, we tell ourselves a story”

CANNES 2026: The Spanish filmmaker discusses his new film, which blends life and cinema, starring Javier Bardem and Victoria Luengo  

18/05 | Cannes 2026 | Competition

Marine Atlan • Director of La Gradiva

Interview: Marine Atlan • Director of La Gradiva

"The film explores the idea of arriving in a land which gradually consumes all the characters"

CANNES 2026: The French director shares the genesis of her first feature, which is an ensemble film shot in Naples and centred around a class of high school students from Paris  

17/05 | Cannes 2026 | Critics’ Week

Review: Rehearsals for a Revolution

Review: Rehearsals for a Revolution

CANNES 2026: Actress-turned-documentary director Pegah Ahangarani surveys her own and her family’s involvement in Iran’s many civil uprisings  

17/05 | Cannes 2026 | Special Screenings

Review: The Beloved

Review: The Beloved

CANNES 2026: Rodrigo Sorogoyen delivers a captivating film, superbly written, directed and performed, about the complicated reunion between a film director and his daughter, an actress  

16/05 | Cannes 2026 | Competition

Review: Double Freedom

Review: Double Freedom

CANNES 2026: Lisandro Alonso makes a welcome return to the territory of his pathbreaking film Freedom, tracking the life of the same Las Pampas woodcutter 25 years later  

16/05 | Cannes 2026 | Directors’ Fortnight

Diego Luna • Director of Ashes

Interview: Diego Luna • Director of Ashes

“I believe cinema is, by definition, political; there’s no way around it”

CANNES 2026: The Mexican actor and director discusses the concepts of migration and identity, reflecting on political cinema and the collaborative nature of acting  

16/05 | Cannes 2026 | Special Screenings

Review: La Gradiva

Review: La Gradiva

CANNES 2026: Marine Atlan crafts a staggeringly rich and highly artistic first feature film following in the wake of a group of French youngsters on a school trip in Italy  

16/05 | Cannes 2026 | Critics’ Week

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