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Cannes 2018

205 articles available in total starting from 04/01/2018. Last article published on 29/05/2018.

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Review: Another Day of Life

Review: Another Day of Life

CANNES 2018: Raul de la Fuente and Damian Nenow present a well-researched and exhilarating rereading of the landmark book by famous Polish journalist, Ryszard Kapuscinski  

12/05/2018 | Cannes 2018 | Special Screenings

Review: Woman at War

Review: Woman at War

CANNES 2018: Icelandic director Benedikt Erlingsson proves his potential yet again with a joyful, inventive, energetic, environmental and feminist second feature film  

12/05/2018 | Cannes 2018 | Critics' Week

Guillaume Nicloux • Director

Interview: Guillaume Nicloux • Director

"What I’m interested in is research and experience"

CANNES 2018: Guillaume Nicloux explains his film To The Ends Of The World, diving headlong into the jungle of deepest Indochina, as unveiled in the 50th Directors’ Fortnight  

12/05/2018 | Cannes 2018 | Directors' Fortnight

Review: Arctic

Review: Arctic

CANNES 2018: In a perfectly decent, if rather pointless, survival drama presented as a Midnight Screening, Mads Mikkelsen plays a man stranded in the Arctic and trying his best to stay alive  

12/05/2018 | Cannes 2018 | Midnight Screenings

Review: Ash Is Purest White

Review: Ash Is Purest White

CANNES 2018: Jia Zhang-ke embarks on a love story thwarted by the course of time; a film which is very often splendid, but which loses steam along the way  

12/05/2018 | Cannes 2018 | Competition

Review: Los silencios

Review: Los silencios

CANNES 2018: The second film by Beatriz Seigner (Bollywood Dream) is a contemporary refugee tale wrapped up in a ghost story  

12/05/2018 | Cannes 2018 | Directors’ Fortnight

Review: Shéhérazade

Review: Shéhérazade

CANNES 2018: An ultra-realist portrait of juvenile delinquency in Marseille, and a surprising and engaging love story to boot, courtesy of Jean-Bernard Marlin  

12/05/2018 | Cannes 2018 | Critics’ Week

Review: My Favourite Fabric

Review: My Favourite Fabric

CANNES 2018: With her strange and allegorical first full-length film, Gaya Jiji’s angle is an interesting one from which to explore the condition of women and the Syrian War  

12/05/2018 | Cannes 2018 | Un Certain Regard

Review: Treat Me Like Fire

Review: Treat Me Like Fire

CANNES 2018: Marie Monge’s feature debut punchily portrays the toxic downward spiral that starts when a young woman falls head over heels for a gambling addict  

11/05/2018 | Cannes 2018 | Directors’ Fortnight

Marta Bergman • Director

Interview: Marta Bergman • Director

"A woman who discovers she can find freedom all by herself"

CANNES 2018: We met with Marta Bergman, whose first full-length fiction film, Alone at My Wedding, has been awarded a place in this year’s ACID line-up  

11/05/2018 | Cannes 2018 | ACID

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