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Venice 2018

158 articles available in total starting from 12/02/2018. Last article published on 02/11/2018.

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Alexander Kluge • Director

Interview: Alexander Kluge • Director

"The film is more related to music than to pictures"

VENICE 2018: We met up with German director Alexander Kluge, who is back at Venice with Happy Lamento, presented as a special event in the Giornate degli Autori  

03/09/2018 | Venice 2018 | Giornate degli Autori

Review: The Sisters Brothers

Review: The Sisters Brothers

VENICE 2018: Jacques Audiard continues his exploration of violence and emotion with a very effective twilight western set in America in 1851  

02/09/2018 | Venice 2018 | Competition

Sarah Marx • Director

Interview: Sarah Marx • Director

“My method of shooting allows for happy accidents to happen”

VENICE 2018: We sat down with French director Sarah Marx to discuss her debut feature, Truk, about a young man coming out of prison, which is playing in the Orizzonti section  

02/09/2018 | Venice 2018 | Orizzonti

Review: Tumbbad

Review: Tumbbad

VENICE 2018: The first Indian film (Swedish co-production) to open the International Critics’ Week is an adventure film that surrenders its soul to Hollywood fakery  

02/09/2018 | Venice 2018 | International Film Critics' Week

Review: Adam & Evelyn

Review: Adam & Evelyn

VENICE 2018: The first feature by producer and author Andreas Goldstein is an adaptation of the well-known and beloved novel of the same name by Ingo Shulze  

02/09/2018 | Venice 2018 | International Film Critics’ Week

Review: Tel Aviv on Fire

Review: Tel Aviv on Fire

VENICE 2018: A fine and funny comedy by Sameh Zoabi about the tribulations of a soap-opera writer caught in the crossfire of the Israeli-Palestinian conflict  

02/09/2018 | Venice 2018 | Orizzonti

Review: Why Are We Creative?

Review: Why Are We Creative?

VENICE 2018: German director Hermann Vaske asks myriad celebrities the same question – and gets too many answers  

02/09/2018 | Venice 2018 | Giornate degli Autori

Review: Close Enemies

Review: Close Enemies

VENICE 2018: After the award-winning Far From Men, David Oelhoffen is back at Venice with a face-off between Matthias Schoenaerts and Reda Kateb that ultimately drowns in clichés  

02/09/2018 | Venice 2018 | Competition

Review: Pearl

Review: Pearl

VENICE 2018: Director Elsa Amiel debuts with an intense and fascinating portrait of the controversial world of female bodybuilding and shunned motherhood  

02/09/2018 | Venice 2018 | Giornate degli Autori

Review: Suspiria

Review: Suspiria

VENICE 2018: Italian director Luca Guadagnino reimagines Dario Argento’s 1977 classic and gives it The Baader Meinhof Complex  

02/09/2018 | Venice 2018 | Competition

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