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Cannes 2025


256 articles available in total starting from 09/10/2024. Last article published on 05/06/2025.

The Nostradamus Report serves as a wake-up call for the screen industries

The Nostradamus Report serves as a wake-up call for the screen industries

CANNES 2025: The Göteborg Film Festival’s latest industry foresight report argues that the future of cinema depends on structural adaptability and meaningful audience connection  

19/05 | Cannes 2025 | Marché du Film

Experts rethink public film funding at the Marché du Film

Experts rethink public film funding at the Marché du Film

CANNES 2025: As audience behaviours evolve, a panel presented by Film i Väst confronted the urgent need for public film agencies to adapt or risk irrelevance  

19/05 | Cannes 2025 | Marché du Film

Review: The Secret Agent

Review: The Secret Agent

CANNES 2025: Kleber Mendonça Filho creates a playful, choral and sophisticated cinematic partition in dizzying narrative arpeggio, revealing the dark memory of Brazil under dictatorship  

19/05 | Cannes 2025 | Competition

Review: No One Will Know

Review: No One Will Know

CANNES 2025: A gun and a winning ticket are the dramaturgical drivers of Vincent Maël Cardona’s second feature, a genre film borrowing from the slasher and heist movies  

19/05 | Cannes 2025 | Midnight Screenings

AI takes centre stage once again at Cannes Next

AI takes centre stage once again at Cannes Next

CANNES 2025: The experts participating in the “Reimagining Production” panel explored how AI is revolutionising creativity, business models, workflows and legal frameworks  

19/05 | Cannes 2025 | Marché du Film

Marie Kreutzer’s Gentle Monster wins at the 2025 Investors Circle

Marie Kreutzer’s Gentle Monster wins at the 2025 Investors Circle

CANNES 2025: The third edition of the initiative spotlighted ten high-end auteur projects, with the Austrian helmer taking home the €20,000 ArteKino International Prize  

19/05 | Cannes 2025 | Marché du Film/Awards

Review: Urchin

Review: Urchin

CANNES 2025: Harris Dickinson debuts as a director with this striking depiction of addiction that blends light comedy and emotional depth  

19/05 | Cannes 2025 | Un Certain Regard

Hafsia Herzi • Director of The Little Sister

Interview: Hafsia Herzi • Director of The Little Sister

"What inspired me in the novel was the character of a young lesbian woman, a Muslim, at odds with her faith, who is searching for her identity"

CANNES 2025: The French filmmaker talks about why and how she adapted the novel by Fatima Daas, and what personal elements she brought to the film  

19/05 | Cannes 2025 | Competition

Review: My Father's Shadow

Review: My Father's Shadow

CANNES 2025: Akinola Davies Jr impresses with this tale of two brothers reuniting with their estranged father for one day in Lagos, against the backdrop of the country’s 1993 election  

19/05 | Cannes 2025 | Un Certain Regard

Valéry Carnoy • Director of Wild Foxes

Interview: Valéry Carnoy • Director of Wild Foxes

"I wanted a lot of nervousness, with just the right mix of violence and tenderness"

CANNES 2025: The Belgian filmmaker explores subjects such as the injunction to be virile and the relationship with violence in his first feature film  

18/05 | Cannes 2025 | Directors’ Fortnight

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