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Directors’ Fortnight

440 articles available in total starting from 16/05/2002. Last article published on 17/06/2025.

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Review: The Five Devils

Review: The Five Devils

CANNES 2022: Witchcraft plays a bad trick on Léa Mysius with her overly ambitious film, which puzzles audiences despite its good qualities  

23/05/2022 | Cannes 2022 | Directors' Fortnight

Review: Falcon Lake

Review: Falcon Lake

CANNES 2022: Charlotte Le Bon’s directorial debut is certainly not the coming-of-age film one might expect to watch  

22/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Pamfir

Review: Pamfir

CANNES 2022: A Transcarpathian resident breaks the law to help his family in the feature debut by Ukrainian director Dmytro Sukholytkyy-Sobchuk  

22/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Continental Drift (South)

Review: Continental Drift (South)

CANNES 2022: Cheerfully blending comedy, political management of migrants and ties to be reforged between a mother and son, Lionel Baier continues his tetralogy on the building of Europe  

22/05/2022 | Cannes 2022 | Directors’ Fortnight

Philippe Faucon • Director of Harkis

Interview: Philippe Faucon • Director of Harkis

"We don’t have goodies on one side and baddies on the other"

CANNES 2022: The French filmmaker hits home once again with a film about local soldiers fighting for the French during the Algerian War  

21/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: One Fine Morning

Review: One Fine Morning

CANNES 2022: An expert in observing and distilling the micro-emotions which form the fabric of our lives, Mia Hansen-Løve paints a wonderful portrait of a woman facing a crossroads in her life  

20/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Enys Men

Review: Enys Men

CANNES 2022: Following his acclaimed breakthrough feature, Bait, Cornish filmmaker Mark Jenkin makes a natural step into eerie folk horror  

20/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: El agua

Review: El agua

CANNES 2022: Elena López Riera makes her feature directorial debut with a fluid film, that organically flows between non-fiction as well as legend, mystery and doom  

20/05/2022 | Cannes 2022 | Directors' Fortnight

Review: Les Harkis

Review: Les Harkis

CANNES 2022: Philippe Faucon’s humble mastery of cinematographic pithiness puts under the microscope the cruel page of history of local soldiers engaged on the French side during the Algerian war  

19/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Scarlet

Review: Scarlet

CANNES 2022: Italian filmmaker Pietro Marcello kneads and chisels a multiform material entangling realism and storytelling, the thickness of destinies and the world's imaginative fulgurance  

18/05/2022 | Cannes 2022 | Directors’ Fortnight

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