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Toronto 2024

134 articles available in total starting from 18/02/2024. Last article published on 23/05/2025.

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Review: Emilia Pérez

Review: Emilia Pérez

CANNES 2024: Jacques Audiard masterfully pulls off his incredible gamble on a musical comedy set in the Latino drug world, with a film that warmly embraces the freedom to change  

19/05/2024 | Cannes 2024 | Competition

Magnus von Horn • Director of The Girl with the Needle

Interview: Magnus von Horn • Director of The Girl with the Needle

“I decided to use this fear of mine and make a film out of it”

CANNES 2024: Taking the Danish child killings of the 1910s as his starting point, the Swedish helmer recreates a period Copenhagen inspired by collective memory  

19/05/2024 | Cannes 2024 | Competition

Review: Julie Keeps Quiet

Review: Julie Keeps Quiet

CANNES 2024: Young Belgian filmmaker Leonardo van Dijl’s first feature film paints an intimate and brilliantly executed portrait of a young female athlete faced with a painful decision  

18/05/2024 | Cannes 2024 | Critics’ Week

Leonardo van Dijl • Director of Julie Keeps Quiet

Interview: Leonardo van Dijl • Director of Julie Keeps Quiet

“The challenge for me was to make the silence loud”

CANNES 2024: The director unpicks his first feature, an intimate portrait of a young tennis player who has to contend with her coach’s misfortunes as well as her own secrets  

18/05/2024 | Cannes 2024 | Critics’ Week

Rúnar Rúnarsson • Director of When the Light Breaks

Interview: Rúnar Rúnarsson • Director of When the Light Breaks

"I wanted the audience to get a sense of reality, beauty, and emotions in the grey zone, between the dark and bright peaks of life"

CANNES 2024: The Icelandic filmmaker talks about what's behind of his new film , an emotional and honest exploration of grief  

17/05/2024 | Cannes 2024 | Un Certain Regard

Review: On Becoming a Guinea Fowl

Review: On Becoming a Guinea Fowl

CANNES 2024: Rungano Nyoni isn’t afraid to get her hands dirty – especially when digging up the past  

17/05/2024 | Cannes 2024 | Un Certain Regard

Review: The Damned

Review: The Damned

CANNES 2024: Roberto Minervini makes the leap from documentaries to historical fiction with a film set in the American War of Secession, referencing the modern day  

16/05/2024 | Cannes 2024 | Un Certain Regard

Review: When the Light Breaks

Review: When the Light Breaks

CANNES 2024: A group of Reykjavík art-school pals deal with a sudden tragedy in Rúnar Rúnarsson’s fourth feature  

16/05/2024 | Cannes 2024 | Un Certain Regard

Review: The Girl with the Needle

Review: The Girl with the Needle

CANNES 2024: Magnus von Horn’s macabre fairy tale for grown-ups is too pretty for its own good  

16/05/2024 | Cannes 2024 | Competition

Basel Adra, Yuval Abraham • Directors of No Other Land

Interview: Basel Adra, Yuval Abraham • Directors of No Other Land

“None of us have any experience with documentaries, so we just decided to go on this journey together as part of our activism”

Two of the four-strong team of directors explain why they made a project documenting the forced resettlement of a Palestinian community in the occupied West Bank  

28/02/2024 | Berlinale 2024 | Panorama

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