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Berlinale 2022

195 articles available in total starting from 12/10/2020. Last article published on 23/02/2023.

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Review: Dreaming Walls

Review: Dreaming Walls

Amélie Van Elmbt and Maya Duverdier deliver a documentary portrait of the legendary Chelsea Hotel, paying a historic, fantasy visit to this bohemian New York Mecca  

12/02/2022 | Berlinale 2022 | Panorama

Isabelle Stever • Director of Grand Jeté

Interview: Isabelle Stever • Director of Grand Jeté

“Because of the funds’ rejections, it seemed all the more interesting to me to tell the story”

BERLINALE 2022: The German director takes a considerable risk as she tells this story of the unusual love between a mother and son  

12/02/2022 | Berlinale 2022 | Panorama

Review: Into My Name

Review: Into My Name

BERLINALE 2022: Executively produced by Elliot Page, Nicolò Bassetti’s documentary tells the open-hearted story of four trans youngsters and their extraordinary normality  

12/02/2022 | Berlinale 2022 | Panorama

Review: A Flower in the Mouth

Review: A Flower in the Mouth

BERLINALE 2022: Éric Baudelaire adapts Pirandello in a very singular fashion in a strange and intelligent film that doesn’t look like any other and dominated by the captivating Oxmo Puccino  

12/02/2022 | Berlinale 2022 | Forum

Review: Incredible but True

Review: Incredible but True

BERLINALE 2022: With his latest film, Quentin Dupieux will be able to turn anyone into a “basement person”  

12/02/2022 | Berlinale 2022 | Berlinale Special

Review: We, Students!

Review: We, Students!

BERLINALE 2022: Rafiki Fariala's first feature is a warm and insightful documentary about friendship and the situation of students at the University of Bangui in the Central African Republic  

12/02/2022 | Berlinale 2022 | Panorama

Review: Rimini

Review: Rimini

BERLINALE 2022: Ulrich Seidl returns after a decade-long absence from fiction filmmaking with a characteristically harrowing work, which still finds glints of light in the void  

12/02/2022 | Berlinale 2022 | Competition

Review: Lullaby

Review: Lullaby

BERLINALE 2022: First-time feature director Alauda Ruiz de Azúa delves into mother-child relations in her intimate film toplined by Laia Costa and Susi Sánchez  

11/02/2022 | Berlinale 2022 | Panorama

Review: The Line

Review: The Line

BERLINALE 2022: Ursula Meier subtly explores a tumultuous world of intense and contradictory emotions in a film which dazzles for its female cast, led by acting revelation Stéphanie Blanchoud  

11/02/2022 | Berlinale 2022 | Competition

Olivia Rochette and Gerard-Jan Claes • Directors of Kind Hearts

Interview: Olivia Rochette and Gerard-Jan Claes • Directors of Kind Hearts

“We had to strike a balance between normal, everyday life and something interesting”

BERLINALE 2022: At the centre of this Belgian documentary is a young couple reflecting on their lives and the nature of love  

11/02/2022 | Berlinale 2022 | Generation

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