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Venice 2024

188 articles available in total starting from 08/05/2024. Last article published on 14/05/2025.

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Federica Di Giacomo e Chiara Francini • Director and actress-producer of The Open Couple

Interview: Federica Di Giacomo e Chiara Francini • Director and actress-producer of The Open Couple

"We wanted to figure out whether or not certain concepts would be called into question after 40 years"

VENICE 2024: We chat about polyamory with the director and the producer of the documentary based on the 1983 play of the same name by Franca Rame and Dario Fo  

31/08/2024 | Venice 2024 | Giornate degli Autori

Amos Gitai • Director of Why War

Interview: Amos Gitai • Director of Why War

“I would like to embrace the idea of the filmmaker or the artist as a healer”

VENICE 2024: The Israeli director offers a kaleidoscopic film essay on war, fuelled by a historic exchange of letters between Albert Einstein and Sigmund Freud  

31/08/2024 | Venice 2024 | Out of Competition

Review: And Their Children After Them

Review: And Their Children After Them

VENICE 2024: Blending social realism and adolescent mythology, romanticism and tragedy, Ludovic and Zoran Boukherma deliver an exciting and spirited adaptation of Nicolas Mathieu’s novel  

31/08/2024 | Venice 2024 | Competition

Review: The Antique

Review: The Antique

VENICE 2024: The second feature by Rusudan Glurijdze portrays the encounter between two generations and two people, against the backdrop of the mass deportations of Georgians from Russia in 2006  

31/08/2024 | Venice 2024 | Giornate degli Autori

Review: Nineteen

Review: Nineteen

VENICE 2024: Carefree, provocative, asyntactic, Giovanni Tortorici’s debut, produced by Luca Guadagnino, speaks the Gen Z language  

31/08/2024 | Venice 2024 | Orizzonti

Review: Marco

Review: Marco

VENICE 2024: He did what?! Aitor Arregi and Jon Garaño deliver a surprisingly entertaining take on a wild true story, starring a fantastic Eduard Fernández  

31/08/2024 | Venice 2024 | Orizzonti

Review: Why War

Review: Why War

VENICE 2024: In his philosophical film essay, Israeli director Amos Gitai tries to explore the root of mankind’s lust for war and destruction  

31/08/2024 | Venice 2024 | Out of Competition

Eurimages introduces its new film marketing and audience development support scheme at Venice Production Bridge

Eurimages introduces its new film marketing and audience development support scheme at Venice Production Bridge

VENICE 2024: The programme encourages producers and marketing professionals to develop and implement joint distribution strategies at an early stage of production  

31/08/2024 | Venice 2024 | Venice Production Bridge

Review: Peacock

Review: Peacock

VENICE 2024: In his feature debut, Austrian director Bernhard Wenger satirises the societal construct of a personality, making full use of the understated acting by Albrecht Schuch  

31/08/2024 | Venice 2024 | International Film Critics’ Week

Review: Riefenstahl

Review: Riefenstahl

VENICE 2024: Andres Veiel creates a complex breakdown of German director Leni Riefenstahl’s life and examines how effective people are at trying to rewrite history  

31/08/2024 | Venice 2024 | Out of Competition

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