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1091 articles available in total starting from 24/02/2003. Last article published on 09/10/2025.

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Guillaume Senez • Director of A Missing Part

Interview: Guillaume Senez • Director of A Missing Part

"I wanted to move towards something more lyrical, to find greater depth"

The Belgian director is back with a new film, which sees him continuing to explore his favourite theme – parenthood – while relocating his work to Japan  

10/09/2024 | Toronto 2024 | Centrepiece

Review: A Missing Part

Review: A Missing Part

Guillaume Senez takes Romain Duris to Japan, telling a fine and well-put-together story about parenthood where a father allows himself a final reprieve and in which emotion swells like a wave  

10/09/2024 | Toronto 2024 | Centrepiece

Marie Losier • Director of Peaches Goes Bananas

Interview: Marie Losier • Director of Peaches Goes Bananas

"I wanted to see what was behind the mask"

VENICE 2024: The French director talks to us about her new cinematic portrait dedicated to singer, punk-electro queen and queer and feminist icon Peaches  

05/09/2024 | Venice 2024 | Giornate degli Autori

Maura Delpero • Director of Vermiglio

Interview: Maura Delpero • Director of Vermiglio

“My protagonist becomes a free woman out of necessity”

VENICE 2024: The Italian director chatted with us about motherhood, documentaries, fiction and the female outlook, and about Ermanno Olmi  

04/09/2024 | Venice 2024 | Competition

Fabrice Du Welz • Director of Maldoror

Interview: Fabrice Du Welz • Director of Maldoror

"I wanted the film to be totally accessible because the subject matter is important, it goes beyond me"

VENICE 2024: We met with the Belgian filmmaker who’s presenting a family portrait morphing into an angst-ridden detective film, inspired by the criminal case which saw his homeland implode  

04/09/2024 | Venice 2024 | Out of Competition

Carine Tardieu • Director of The Ties That Bind Us

Interview: Carine Tardieu • Director of The Ties That Bind Us

"Once we’ve gone beyond certain levels of attachment, there’s no going back"

VENICE 2024: Carine Tardieu explains the intricate story in her film about family ties which go beyond blood and the effect of the passing of time  

04/09/2024 | Venice 2024 | Orizzonti

Review: Maldoror

Review: Maldoror

VENICE 2024: Fabrice Du Welz displays a spectacular change in register, using fiction to explore the case of Marc Dutroux, the collective trauma which shook Belgium in the ‘90s  

03/09/2024 | Venice 2024 | Out of Competition

Review: The Ties That Bind Us

Review: The Ties That Bind Us

VENICE 2024: Carine Tardieu crafts a delicate, humanist film about the unpredictable emotional ties we randomly forge through dramas, loving encounters and the merry-go-round of life  

03/09/2024 | Venice 2024 | Orizzonti

Review: Vermiglio

Review: Vermiglio

VENICE 2024: Maura Delpero gets back to exploring motherhood in a film set at the end of the Second World War, which is visually and mentally stimulating  

03/09/2024 | Venice 2024 | Competition

Aude Léa Rapin • Director of Planet B

Interview: Aude Léa Rapin • Director of Planet B

“In Planet B, people don’t talk; they act”

VENICE 2024: In her 2039-set feature, starring Adèle Exarchopoulos, the French director brings science fiction, ecology and politics to the table  

29/08/2024 | Venice 2024 | International Film Critics’ Week

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