email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Germany

(The article continues below - Commercial information)
insularia_Josué

4990 articles available in total starting from 23/05/2002. Last article published on 18/09/2026.

Review: I’ll Be Gone in June

Review: I’ll Be Gone in June

CANNES 2026: Katharina Rivilis crafts a marvelous debut film based on her own experience as an exchange student in New Mexico  

17/05 | Cannes 2026 | Un Certain Regard

DOGMA 25 expands to Germany, led by Kurdwin Ayub, İlker Çatak, Nora Fingscheidt, Helene Hegemann and Tom Tykwer

DOGMA 25 expands to Germany, led by Kurdwin Ayub, İlker Çatak, Nora Fingscheidt, Helene Hegemann and Tom Tykwer

CANNES 2026: Danish sales outfit TrustNordisk is set to handle international sales on the upcoming films made as part of the initiative  

17/05 | Cannes 2026 | Marché du Film

Review: Double Freedom

Review: Double Freedom

CANNES 2026: Lisandro Alonso makes a welcome return to the territory of his pathbreaking film Freedom, tracking the life of the same Las Pampas woodcutter 25 years later  

16/05 | Cannes 2026 | Directors’ Fortnight

Paweł Pawlikowski • Director of Fatherland

Interview: Paweł Pawlikowski • Director of Fatherland

“They’re put up against a divided Germany that, on one hand, is very crude and, on the other, is also crude but a bit more interesting”

CANNES 2026: The Polish director shares some reflections on his new work, focused on the return of Thomas Mann from his US exile to post-war Germany(s)  

16/05 | Cannes 2026 | Competition

Review: All of a Sudden

Review: All of a Sudden

CANNES 2026: Turning his gaze to France, Ryûsuke Hamaguchi chisels out a brilliant and original collector’s piece, brimming with humanity, love and political resonance  

16/05 | Cannes 2026 | Competition

Review: Gentle Monster

Review: Gentle Monster

CANNES 2026: Marie Kreutzer exorcises her own demons in a drama that asks some very, very uncomfortable questions  

16/05 | Cannes 2026 | Competition

Maxence Voiseux • Director of Gabin

Interview: Maxence Voiseux • Director of Gabin

"The characters are far stronger than the formal device"

CANNES 2026: The French documentary filmmaker reveals the secrets behind the making of a film chronicling ten years in the life of a young man, the son of a butcher and a farmer from northern France  

15/05 | Cannes 2026 | Directors’ Fortnight

Review: Fatherland

Review: Fatherland

CANNES 2026: Polish helmer Pawel Pawlikowski returns with a casually cruel drama featuring another star turn from Sandra Hüller  

15/05 | Cannes 2026 | Competition

Review: Gabin

Review: Gabin

CANNES 2026: Capturing ten years of life, documentary filmmaker Maxence Voiseux accomplishes a remarkable cinematic experience, grounded in humanity and woven with subtle finesse  

14/05 | Cannes 2026 | Directors’ Fortnight

Review: Butterfly Jam

Review: Butterfly Jam

CANNES 2026: In the third feature by Kantemir Balagov, Barry Keoghan’s newest single-father character is caught up in a crisis of masculinity with his teenage son  

14/05 | Cannes 2026 | Directors’ Fortnight

(The article continues below - Commercial information)

Privacy Policy