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Orizzonti

237 articles available in total starting from 03/09/2005. Last article published on 22/07/2025.

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Review: Moffie

Review: Moffie

VENICE 2019: Young homosexuals persecuted by the South African army in the 1980s are at the heart of Oliver Hermanus’ fourth film  

06/09/2019 | Venice 2019 | Orizzonti

Review: The Criminal Man

Review: The Criminal Man

VENICE 2019: The second feature by Georgian director Dmitry Mamuliya is a superb psychological thriller about the genesis of evil in the mind of a serial killer  

05/09/2019 | Venice 2019 | Orizzonti

Review: Nevia

Review: Nevia

VENICE 2019: Nunzia De Stefano’s first work, filmed in a container park on the outskirts of Naples, is striking for the quiet tenacity of its young protagonist  

05/09/2019 | Venice 2019 | Orizzonti

Review: Atlantis

Review: Atlantis

VENICE 2019: Valentyn Vasyanovych finds love in a hopeless place in one of the most interesting films screening in Orizzonti  

05/09/2019 | Venice 2019 | Orizzonti

Katrin Gebbe • Director of Pelican Blood

Interview: Katrin Gebbe • Director of Pelican Blood

“I am interested in people on the fringes of society, and I like to dig deeper into why they ended up like this”

VENICE 2019: We chatted to German writer-director Katrin Gebbe about her second feature, Pelican Blood, which opened the Orizzonti competition  

04/09/2019 | Venice 2019 | Orizzonti

Review: Madre

Review: Madre

VENICE 2019: Rodrigo Sorogoyen adapts his Oscar-nominated short film into a feature, with tremendous results  

04/09/2019 | Venice 2019 | Orizzonti

Review: White on White

Review: White on White

VENICE 2019: Chilean-Spanish director Théo Court directs a superb neo-western, set in Tierra del Fuego, about the perversion and misuse of art to serve the indigenous genocide  

03/09/2019 | Venice 2019 | Orizzonti

Review: Back Home

Review: Back Home

VENICE 2019 : Carried by the charismatic Niels Schneider in the role of a man forced to return to the family farm under tragic circumstances, Jessica Palud’s feature debuts gets lost in the way  

02/09/2019 | Venice 2019 | Orizzonti

Review: A Son

Review: A Son

VENICE 2019: Mehdi M Barsaoui’s tense debut about a marriage and a country in crisis is hugely satisfying  

31/08/2019 | Venice 2019 | Orizzonti

Review: Pelican Blood

Review: Pelican Blood

VENICE 2019: The opening-night film of the Orizzonti section, directed by Katrin Gebbe, unfortunately falls before the final hurdle  

31/08/2019 | Venice 2019 | Orizzonti

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