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Cannes 2026

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287 articles available in total starting from 06/10/2025. Last article published on 18/08/2026.

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Review: The Beloved

Review: The Beloved

CANNES 2026: Rodrigo Sorogoyen delivers a captivating film, superbly written, directed and performed, about the complicated reunion between a film director and his daughter, an actress  

16/05 | Cannes 2026 | Competition

Review: Double Freedom

Review: Double Freedom

CANNES 2026: Lisandro Alonso makes a welcome return to the territory of his pathbreaking film Freedom, tracking the life of the same Las Pampas woodcutter 25 years later  

16/05 | Cannes 2026 | Directors’ Fortnight

Valentina Maurel • Director of Forever Your Maternal Animal

Interview: Valentina Maurel • Director of Forever Your Maternal Animal

“I still resist the idea that fiction is there to depict a linear path”

CANNES 2026: We talked with the filmmaker who continues to put Costa Rica on the map of arthouse cinema, as she takes us on the journey of a young woman returning to San José  

16/05 | Cannes 2026 | Un Certain Regard

Manuela Martelli • Director of The Meltdown

Interview: Manuela Martelli • Director of The Meltdown

“Both Chile and Germany have a very clear moment in their history when they started to regain their democracy”

CANNES 2026: The director of 1976 discusses the political and interpersonal stakes in her sophomore feature  

16/05 | Cannes 2026 | Un Certain Regard

Charline Bourgeois-Tacquet • Director of A Woman’s Life

Interview: Charline Bourgeois-Tacquet • Director of A Woman’s Life

“What interests me is the intensity, the depth, the human dimension, the very heart of intimacy”

CANNES 2026: The director explains why it was so important to her to make a film centred on a woman in her fifties, exploring all the different facets of her life  

16/05 | Cannes 2026 | Competition

Review: Flesh and Fuel

Review: Flesh and Fuel

CANNES 2026: As a lone lorry driver swept up in an international whirlwind romance, Alexis Manenti captivates in Pierre Le Gall’s original debut feature film  

16/05 | Cannes 2026 | Critics’ Week

Diego Luna • Director of Ashes

Interview: Diego Luna • Director of Ashes

“I believe cinema is, by definition, political; there’s no way around it”

CANNES 2026: The Mexican actor and director discusses the concepts of migration and identity, reflecting on political cinema and the collaborative nature of acting  

16/05 | Cannes 2026 | Special Screenings

Spot the Composer tackles international scoring collaborations in Cannes

Spot the Composer tackles international scoring collaborations in Cannes

CANNES 2026: Eiko Ishibashi and Milena Fessmann have explored how trust, networks and financing realities shape international film-music collaborations  

16/05 | Cannes 2026 | Marché du Film

Review: La Gradiva

Review: La Gradiva

CANNES 2026: Marine Atlan crafts a staggeringly rich and highly artistic first feature film following in the wake of a group of French youngsters on a school trip in Italy  

16/05 | Cannes 2026 | Critics’ Week

Paweł Pawlikowski • Director of Fatherland

Interview: Paweł Pawlikowski • Director of Fatherland

“They’re put up against a divided Germany that, on one hand, is very crude and, on the other, is also crude but a bit more interesting”

CANNES 2026: The Polish director shares some reflections on his new work, focused on the return of Thomas Mann from his US exile to post-war Germany(s)  

16/05 | Cannes 2026 | Competition

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