Directors’ Fortnight 440 articles available in total starting from 16/05/2002. Last article published on 17/06/2025. previous page: 1 2 3 ... 15 16 [17] 18 19 ... 42 43 44 next Series review: We Are Who We AreLuca Guadagnino’s eight-part HBO and Sky Italia show, screened at San Sebastián, is a gourmet’s delight, but some dishes disappoint 25/09/2020 | San Sebastián 2020 | Out of CompetitionReview: The Monopoly of ViolenceDavid Dufresne delivers a powerful documentary dissecting the current philosophy behind law enforcement and questioning the legitimacy of the disproportionate use of violence 15/09/2020 | Toronto 2020 | Industry SelectsThe Directors' Fortnight supports three titlesThe Cannes parallel section backs Luca Guadagnino's series We Are Who We Are, David Dufresne's documentary The Monopoly of Violence and Miranda July's Kajillionaire 08/07/2020 | Cannes 2020 | Directors' FortnightInterview: Paolo Moretti • Delegate General of Directors’ Fortnight"The fact that we haven’t announced anything publicly doesn’t mean we haven’t done anything for our films"Directors’ Fortnight delegate general Paolo Moretti explains his decision not to award films with the label of the parallel section in the absence of a physical edition in Cannes 08/06/2020 | Cannes 2020 | Directors’ FortnightCannes: Directors’ Fortnight, Critics’ Week and ACID throw in the towelThe parallel sections cancel their 2020 Cannes editions. The Marché du Film should unfold online from 22 to 26 June 15/04/2020 | Cannes 2020Interview: Ala Eddine Slim • Director of Tlamess"I tried to be provocative, both for myself and the viewer"CANNES 2019: Tunisian filmmaker Ala Eddine Slim presented his second feature Tlamess in the Directors' Fortnight, and talked to us about it 28/05/2019 | Cannes 2019 | Directors' FortnightInterview: Erwan Le Duc • Director of The Bare Necessity"When you’re telling a story, it’s a question of conveying emotion"CANNES 2019: Erwan Le Duc tells us about his feature debut, The Bare Necessity, screened in the 51st Directors’ Fortnight 28/05/2019 | Cannes 2019 | Directors’ FortnightReview: To Live to SingCANNES 2019: Johnny Ma uses real Sichuan opera performers to show the losing battle that ensues when art venues come up against commerce 28/05/2019 | Cannes 2019 | Directors’ FortnightReview: WoundsCANNES 2019: Babak Anvari’s shocking body horror uses the tools of David Cronenberg to show that the biggest demons are those from within 28/05/2019 | Cannes 2019 | Directors’ FortnightReview: Ghost TropicCANNES 2019: It’s the journey and not the destination that counts in Bas Devos’ mild-mannered and poetic discovery of hope and bliss 28/05/2019 | Cannes 2019 | Directors’ Fortnight previous page: 1 2 3 ... 15 16 [17] 18 19 ... 42 43 44 next